A work in constant progress (and occasional regress).
Alias:
Marlon T. Riggs
Marlon Troy Riggs
Birthplace:
Fort Worth, Texas, USA
Born:
February 3, 1957
Died:
April 5, 1994
Marlon Troy Riggs (February 3, 1957 – April 5, 1994) was an American filmmaker, educator (professor), poet, and gay rights activist. He produced, wrote, and directed several television documentaries, including Ethnic Notions, Tongues Untied, Color Adjustment, and Black is... Black Ain't. Riggs created aesthetically innovative and socially provocative films that examine past and present representations of race and sexuality in America. The Marlon Riggs Collection is now housed at Stanford University Libraries.
Associate Editor:
1982 How Much Is Enough? Decision Making in the Nuclear Age
Camera Operator:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
Director:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Director of Photography:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Editor:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Original Music Composer:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Producer:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Sound Effects:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Writer:
1981 Long Train Running: A History of the Oakland Blues
1982 How Much Is Enough? Decision Making in the Nuclear Age
1986 Ethnic Notions
1990 Affirmations
1990 Tongues Untied
1992 Color Adjustment
1993 Anthem
1993 Boys' Shorts
1993 No Regret
1994 Black Is… Black Ain’t
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.