A work in constant progress (and occasional regress).
Alias:
Harry R. Allen
Birthplace:
Sydney, New South Wales, Australia
Born:
July 9, 1883
Died:
December 4, 1951
From Wikipedia, the free encyclopedia Harry Allen (July 10, 1883 – December 4, 1951) was an Australian-born American character actor of the silent and sound film eras. He began his acting career on stage with the J. C. Williamson organisation, performing around Australia. In 1910 he married fellow actor Marjorie Josephine née Condon in Brisbane. The union was not a success and in 1912 he left Australia for North America. In the United States, Allen was a member of a touring theater company, known for their popular rendition of The Better 'Ole. He appeared on Broadway in the early 1920s. His first film role was in the 1923 silent film, The Last Moment, in a supporting role. In his career Allen appeared in over 100 films, mostly in supporting and smaller roles. Some of the more notable films he appeared in include: Of Human Bondage (1934), starring Bette Davis and Leslie Howard; the Marx Brothers' classic, A Night at the Opera; the original Mutiny on the Bounty (1935), starring Charles Laughton and Clark Gable; William Wyler's 1942 Academy Award-winning film, Mrs. Miniver, starring Greer Garson, Walter Pidgeon, and Teresa Wright; Jane Eyre (1944), starring Orson Welles and Joan Fontaine; the Mickey Rooney and Elizabeth Taylor version of National Velvet (1945); and The Picture of Dorian Gray (1945), starring George Sanders. His final appearance on film was in the 1949 film, Challenge to Lassie, starring Edmund Gwenn. Allen died on December 4, 1951, and was buried in Glen Abbey Memorial Park.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.