A work in constant progress (and occasional regress).
Alias:
Tonino Maccoppi
Camera Operator:
1968 Padre Pio
1970 In the Folds of the Flesh
Cinematography:
1968 Padre Pio
1970 In the Folds of the Flesh
1975 La cognatina
1978 Una settimana come un'altra
Director of Photography:
1968 Padre Pio
1970 In the Folds of the Flesh
1971 Conquest
1971 Hands Up, Dead Man! You're Under Arrest
1971 School of Erotic Enjoyment
1972 Cristiana, Devil Nun
1972 Decameron II
1972 Gunmen and the Holy Ghost
1972 Secret Confessions in a Cloistered Convent
1972 The Other Canterbury Tales
1974 The Minor
1975 Heat in the Suburbs
1975 La cognatina
1975 So Young, So Lovely, So Vicious...
1975 That Malicious Age
1976 Noi siam come le lucciole
1976 The Doctor...the Schoolgirl
1977 The Red Nights of the Gestapo
1978 Una settimana come un'altra
1979 Killer Nun
1989 Indio
1990 Three for One
Second Unit Director of Photography:
1968 Padre Pio
1970 In the Folds of the Flesh
1971 Conquest
1971 Hands Up, Dead Man! You're Under Arrest
1971 School of Erotic Enjoyment
1972 Cristiana, Devil Nun
1972 Decameron II
1972 Gunmen and the Holy Ghost
1972 Secret Confessions in a Cloistered Convent
1972 The Other Canterbury Tales
1974 The Minor
1975 Heat in the Suburbs
1975 La cognatina
1975 So Young, So Lovely, So Vicious...
1975 That Malicious Age
1976 Death Rage
1976 Noi siam come le lucciole
1976 The Doctor...the Schoolgirl
1977 The Red Nights of the Gestapo
1978 Una settimana come un'altra
1979 Killer Nun
1989 Indio
1990 Three for One
Director of Photography:
1982 Images from Fascism: All the Duce's Men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.