A work in constant progress (and occasional regress).
Birthplace:
Järfälla, Stockholms län, Sweden
Born:
September 28, 1960
Maud Hanna Bodil Nycander is a Swedish photographer/director/producer/writer. She begun her career as a still photographer and did several photo exhibitions and photo books. In the middle of the 90s she started to work with film and television.
Director:
2004 The Latin Kings
2005 Room in Between
2007 The Nun
2009 Fotografen från Riga
2009 Konstnärinnan på avd. 22
2010 Sluten Avdelning
2012 Palme
2013 Go Straight Home
2013 Road's End
2017 Citizen Schein
2021 Äntligen måndag
2022 Love & Divorce
Director of Photography:
2004 The Latin Kings
2005 Room in Between
2007 The Nun
2009 Fotografen från Riga
2009 Konstnärinnan på avd. 22
2010 Sluten Avdelning
2012 Palme
2013 Go Straight Home
2013 Road's End
2017 Citizen Schein
2021 Äntligen måndag
2022 Love & Divorce
Story:
2004 The Latin Kings
2005 Room in Between
2007 The Nun
2009 Fotografen från Riga
2009 Konstnärinnan på avd. 22
2010 Sluten Avdelning
2012 Palme
2013 Go Straight Home
2013 Road's End
2017 Citizen Schein
2021 Äntligen måndag
2022 Love & Divorce
Writer:
2004 The Latin Kings
2005 Room in Between
2007 The Nun
2009 Fotografen från Riga
2009 Konstnärinnan på avd. 22
2010 Sluten Avdelning
2012 Palme
2013 Go Straight Home
2013 Road's End
2017 Citizen Schein
2021 Äntligen måndag
2022 Love & Divorce
Director:
2020 Älskade Husby
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.