A work in constant progress (and occasional regress).
Alias:
Marceline Loridan
Birthplace:
Épinal, France
Born:
March 19, 1928
Died:
September 18, 2018
Marceline Loridan-Ivens (née Rozenberg; 19 March 1928[1] – 18 September 2018) was a French writer and film director. Her memoir But You Did Not Come Back details her time in Auschwitz-Birkenau. She was married to Joris Ivens. Marceline Rozenberg was born to Polish Jewish parents who emigrated to France in 1919. At the beginning of World War II, her family settled in Vaucluse, where she joined the French Resistance. She and her father, Szlama, were captured by the Gestapo and deported to Auschwitz-Birkenau by Convoy 71 on 13 April 1944, along with Simone Veil and Anne-Lise Stern, then to Bergen-Belsen, and eventually to Theresienstadt. The camp was liberated on 10 May 1945. by the Red Army. She married [when?] Francis Loridan, an engineer. Years later they divorced, but she was allowed to keep his surname. She joined the French Communist Party in 1955 and left it a year later. She then encountered "deviationists", such as Henri Lefebvre and Edgar Morin, wrote manuscripts for intellectuals, worked in the reprographic service of a polling institute, was bag carrier for the Algerian National Liberation Front and frequented Saint-Germain-des-Prés. In 1961, Edgar Morin cast her in the film Chronique d'un été, thus making her film debut. In 1963, she met and married the documentary director Joris Ivens. She assisted him in his work and co-directed some of his films, including 17th Parallel: Vietnam in War (1968). They left together for Vietnam, where they met Ho Chi Minh. From 1972 to 1976, during the Cultural Revolution, Joris Ivens and Marceline Loridan worked in China and directed How Yukong Moved the Mountains, a series of 12 films. Criticized by Jiang Qing, they had to quickly leave China. Loridan-Ivens gave lectures and testimonies in colleges and high schools on the Holocaust.
Assistant Director:
1966 The Threatening Sky
Camera Operator:
1966 The Threatening Sky
1967 Far from Vietnam
Dialogue:
1966 The Threatening Sky
1967 Far from Vietnam
1989 A Tale of the Wind
Director:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Editor:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Executive Producer:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Presenter:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Screenplay:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Writer:
1965 Algeria, Year Zero
1966 The Threatening Sky
1967 Far from Vietnam
1968 The 17th Parallel
1970 The People and Their Guns
1976 How Yukong Moved the Mountains
1976 The Football Incident
1976 The Pharmacy: Shanghai
1977 The Kazakhs
1977 The Uyghurs
1989 A Tale of the Wind
2003 The Birch-Tree Meadow
Director:
1976 Comment Yukong déplaça les montagnes
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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