A work in constant progress (and occasional regress).
Birthplace:
Martinique, French West Indies
Born:
January 13, 1958
Born January 13, 1958, in Martinique, French West Indies, Euzhan Palcy is a leader for black people, especially black women, in cinema. She is a screenwriter, producer and director. After studying the likes of Billy Wilder and Orson Welles and receiving a few degrees, including one from Louis Lumière College, she directed her first feature, Sugar Cane Alley (1983), in Paris for less than a million dollars. The film is about an impoverished black family making sacrifices for a young boy on a plantation in Martinique during the 1930s. It won numerous awards internationally, among them the César Award and the Venice Film Festival Silver Lion. Palcy's second feature, A Dry White Season (1989), explored the politics of South African apartheid, beckoning actor Marlon Brando to end his nine-year retirement to portray lawyer Ian McKenzie in it. With A Dry White Season, Palcy became the first black woman director produced by a major Hollywood studio. The film was banned in South Africa for a period of time. Brando's direction by Palcy earned him his final Academy Award nomination, for Best Supporting Actor. This made Palcy the first director who is black to direct an actor to such an honor. Palcy has continued to produce and make films all the way into the 2010s.
Co-Producer:
1998 Ruby Bridges
Director:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Editor:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Producer:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Screenplay:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Story:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Writer:
1975 The Messenger
1981 The Devil's Workshop
1983 Sugar Cane Alley
1989 A Dry White Season
1992 Siméon
1993 How Are The Kids?
1995 Aimé Césaire, Une voix pour l'histoire
1998 Ruby Bridges
2001 The Killing Yard
2006 Journey of the Dissidents
Creator:
2007 The Brides of Bourbon Island
Director:
2007 The Brides of Bourbon Island
Writer:
2007 The Brides of Bourbon Island
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.