A work in constant progress (and occasional regress).
Daïchi Saïto (Canada / Japan) studied literature and philosophy in the USA and Hindi and Sanskrit in India, releasing his first book Moving the Sleeping Images of Things Towards the Light with Les éditions Le Laps (2013). Saïto is now based in Montréal where he is a co-founder of Double Negative, an artist’s collective dedicated to the exhibition and production of experimental film. His work explores the relation between the corporeal phenomena of vision and the material nature of the medium, fusing a formal investigation of frame and juxtaposition with sensual and poetic expressions. Saïto’s films have been exhibited at festivals, museums, galleries and cinematheques worldwide
Camera Operator:
2003 Chiasmus
Director:
2003 Chiasmus
2004 Chasmic Dance
2005 Blind Alley Augury
2007 All That Rises
2007 Green Fuse
2009 Trees of Syntax, Leaves of Axis
2012 Never a Foot Too Far, Even
2015 Engram of Returning
2020 AFA50
2021 earthearthearth
Editor:
2003 Chiasmus
2004 Chasmic Dance
2005 Blind Alley Augury
2007 All That Rises
2007 Green Fuse
2007 Western Sunburn
2009 Trees of Syntax, Leaves of Axis
2012 Never a Foot Too Far, Even
2015 Engram of Returning
2020 AFA50
2021 earthearthearth
Producer:
2003 Chiasmus
2004 Chasmic Dance
2005 Blind Alley Augury
2007 All That Rises
2007 Green Fuse
2007 Western Sunburn
2009 Trees of Syntax, Leaves of Axis
2012 Never a Foot Too Far, Even
2015 Engram of Returning
2020 AFA50
2021 earthearthearth
Screenplay:
2003 Chiasmus
2004 Chasmic Dance
2005 Blind Alley Augury
2007 All That Rises
2007 Green Fuse
2007 Western Sunburn
2009 Trees of Syntax, Leaves of Axis
2012 Never a Foot Too Far, Even
2015 Engram of Returning
2020 AFA50
2021 earthearthearth
2022 YOSHIDANOBUO
Special Effects:
2003 Chiasmus
2004 Chasmic Dance
2005 Blind Alley Augury
2007 All That Rises
2007 Green Fuse
2007 Western Sunburn
2009 Trees of Syntax, Leaves of Axis
2012 Never a Foot Too Far, Even
2014 Miron : Un homme revenu d'en dehors du monde
2015 Engram of Returning
2020 AFA50
2021 earthearthearth
2022 YOSHIDANOBUO
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.