A work in constant progress (and occasional regress).
Birthplace:
Warsaw, Polish Republic
Born:
June 15, 1950
Alon Oleartchik was born in Warsaw, Poland in 1950 and immigrated to Israel at the age of six. Following in the footsteps of his father, Edward Oleartchik, a well-known songwriter in Poland, young Alon was given an early training in classical piano. Known in later years as a remarkable bass player, Oleartchik masters a variety of instruments, including piano and guitar. He developed his interest in jazz as the bass player for Platina, Israel's first jazz band with original music, which toured in America and performed in the Newport Jazz Festival in 1972. Before studying composition at Berklee College of Music in Boston, Massachusetts in the late 1970's, Alon was a co-founder, writer and singer in Kaveret, Israel's most famous and popular rock group to date. After graduation from Berklee, Oleartchik remained in America, inspired by and active in New York's Lower East Side avant garde jazz experience, where he played and recorded with, among others, Iris Lord, Eddie Jobson ("Zinc-The Green Album") and Alfonia Tims & the Flying Tigers ("Future Funk / uncut"). Returning to Israel in 1984 for a reunion concert of Kaveret, he went under contract with NMC and began his career as a solo recording artist. In his first album he was credited with breaking the mainstream stereotypes by introducing Middle-Eastern rhythms and modes. In 1991 Oleartchik was awarded the Composer of the Year award by Acum, The Society of Authors & Composers of Israel. Oleartchik has written film scores, music scores for theater, radio & TV commercials, has been the musical producer of many other recording artists, including Noa and Amal Mourcus, and occasionally contributes to the Rimon School of Music (jazz), an affiliate of Berklee College of Music, with workshops on song writing. Over the last several years he has sung with the Tel Aviv Big Band. These concerts led to the Oleartchik Jazz double album of 1999 with Avishay Cohen and Eli Dejibri.....Even with 8 solo albums to his credit, Oleartchik's commitment and enthusiasm for exploring the unfamiliar remains the same.
Music:
1989 A Thousand and One Wives
1992 Kaveret: Pictures from the Life of a Band
1998 Kaveret in the Park
2000 Magic Hat
2003 Miss Entebbe
2005 Riki Riki
Music Producer:
1989 A Thousand and One Wives
1992 Kaveret: Pictures from the Life of a Band
1998 Kaveret in the Park
1999 The Sixteenth Lamb
2000 Magic Hat
2003 Miss Entebbe
2005 Riki Riki
Original Music Composer:
1989 A Thousand and One Wives
1992 Kaveret: Pictures from the Life of a Band
1998 Kaveret in the Park
1999 The Sixteenth Lamb
2000 Magic Hat
2003 Miss Entebbe
2005 Riki Riki
2011 Salsa Tel Aviv
Songs:
1989 A Thousand and One Wives
1992 Itamar Stories
1992 Kaveret: Pictures from the Life of a Band
1998 Kaveret in the Park
1999 The Sixteenth Lamb
2000 Magic Hat
2003 Miss Entebbe
2005 Riki Riki
2011 Salsa Tel Aviv
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.