A work in constant progress (and occasional regress).
Alias:
Dan 'Abel' Garcia
Dan R. Garcia
Daniel Garcia
Daniel Rodrigues Sharpe Garcia Jr.
Kane
Kane and Abel
Dan R. Garcia is a well known genre producer. He is widely respected as a prolific independent director, financier, and film executive. He has produced over forty independent films and TV Projects, and his work has been licensed in over twenty countries.
Director:
2008 Block Party Madness
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2012 Speed Demons
2013 Act Like You Love Me
2013 Hope for Love
2014 Act of Faith
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
Executive Producer:
2008 Block Party Madness
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2011 Video Girl
2012 Speed Demons
2013 Act Like You Love Me
2013 Hope for Love
2014 Act of Faith
2015 Lucky Girl
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
Producer:
2008 Block Party Madness
2008 Death Toll
2008 Lockjaw: Rise of the Kulev Serpent
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2011 Video Girl
2012 Speed Demons
2013 Act Like You Love Me
2013 Hope for Love
2013 Will a Man Rob God?
2014 Act of Faith
2015 Lucky Girl
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
2021 After Party Secrets
Screenplay:
2008 Block Party Madness
2008 Death Toll
2008 Lockjaw: Rise of the Kulev Serpent
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2011 Video Girl
2012 Speed Demons
2013 Act Like You Love Me
2013 Hope for Love
2013 Will a Man Rob God?
2014 Act of Faith
2015 Lucky Girl
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Everything That Glitters
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
2021 After Party Secrets
Story:
2008 Block Party Madness
2008 Death Toll
2008 Lockjaw: Rise of the Kulev Serpent
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2011 Video Girl
2012 Speed Demons
2013 Act Like You Love Me
2013 Hope for Love
2013 Will a Man Rob God?
2014 Act of Faith
2015 Lucky Girl
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Everything That Glitters
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
2021 After Party Secrets
Writer:
2006 Living Water
2008 Block Party Madness
2008 Death Toll
2008 Jump Out Boys
2008 Lockjaw: Rise of the Kulev Serpent
2008 The Rimshop
2010 Enemies Among Us
2010 Journey to Promethea
2010 Terror Trap
2011 Flesh Wounds
2011 Kiss the Bride
2011 Video Girl
2012 Speed Demons
2013 Act Like You Love Me
2013 Forbidden Woman
2013 Hope for Love
2013 Will a Man Rob God?
2014 Act of Faith
2015 Lucky Girl
2015 Mysterious Ways
2015 Running Forever
2016 Wild Bill Hickok: Swift Justice
2018 Everything That Glitters
2018 Falling in Love Again
2018 When It Comes Around
2019 Miracles Are For Real
2021 After Party Secrets
2021 Christmas for Sale
2023 Momma Said Come Home For Christmas
2023 Playing with Fire
Executive Producer:
2019 A House Divided
Producer:
2018 Bronx SIU
2018 Ladies of the Law
2019 A House Divided
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.