A work in constant progress (and occasional regress).
Birthplace:
Winnipeg, Canada
Kier-La Janisse (1972-) is a Canadian film writer, programmer and producer, founder of international horror school The Miskatonic Institute of Horror Studies and author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012). Her first feature film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror is due out from Severin Films in 2021.
Adaptation:
???? Killing for Culture: The Birth of Atrocity Cinema
Additional Editor:
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
???? Killing for Culture: The Birth of Atrocity Cinema
Director:
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 The Reluctant Icon: A Tribute to Laura Gemser
???? Killing for Culture: The Birth of Atrocity Cinema
Editor:
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 The Reluctant Icon: A Tribute to Laura Gemser
???? Killing for Culture: The Birth of Atrocity Cinema
Executive Producer:
2017 We Always Find Ourselves in the Sea
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 The Reluctant Icon: A Tribute to Laura Gemser
2023 To Fire You Come at Last
???? Killing for Culture: The Birth of Atrocity Cinema
Producer:
2012 Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
2017 We Always Find Ourselves in the Sea
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2019 Tights Worship: Inside the Practices of The Rita
2020 Tales of the Uncanny
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 Ajita Wilson: An Elusive Icon
2023 The Naked Eye: Sex and the Mondo Film
2023 The Reluctant Icon: A Tribute to Laura Gemser
2023 To Fire You Come at Last
???? Killing for Culture: The Birth of Atrocity Cinema
???? Terminal City Blues — Vancouver Onscreen In Out of the Blue
Script:
2012 Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
2017 We Always Find Ourselves in the Sea
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2019 Tights Worship: Inside the Practices of The Rita
2020 Tales of the Uncanny
2021 A Folk Horror Tale
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 Ajita Wilson: An Elusive Icon
2023 The Naked Eye: Sex and the Mondo Film
2023 The Reluctant Icon: A Tribute to Laura Gemser
2023 To Fire You Come at Last
???? Killing for Culture: The Birth of Atrocity Cinema
???? Terminal City Blues — Vancouver Onscreen In Out of the Blue
Writer:
2012 Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
2017 We Always Find Ourselves in the Sea
2019 From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film
2019 Tights Worship: Inside the Practices of The Rita
2020 S.W.A.L.K. II
2020 Tales of the Uncanny
2021 A Folk Horror Tale
2021 Blood In The Streets: The Quinqui Film Phenomenon
2021 Woodlands Dark and Days Bewitched: A History of Folk Horror
2023 A Tribute To Karin Schubert: The ‘Nackedei’ Actress
2023 Ajita Wilson: An Elusive Icon
2023 The Naked Eye: Sex and the Mondo Film
2023 The Reluctant Icon: A Tribute to Laura Gemser
2023 To Fire You Come at Last
???? Killing for Culture: The Birth of Atrocity Cinema
???? Terminal City Blues — Vancouver Onscreen In Out of the Blue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.