Gene McDonald

Gene McDonald first began singing when he was still a young child and, surprisingly, sang the high tenor part with family who traveled across the Midwest from 1968 to 1980. When his sister left for college and the family stopped touring together, he joined Jack Campbell and the Ambassadors (also as a tenor). It was in 1982 that his voice changed from high tenor to a booming bass. During his college years at Arkansas State University, he received operatic vocal training. There he also studied under one of the leading choral directors in the nation, Al Skoog.  Gene later attended the Ben Speer School of Music, and went on to sing with The Plainsmen Quartet (1989-1992) and The Florida Boys Quartet (1998-2007). He was invited to his first Homecoming taping in 1994 and has since become a regular in the Homecoming choir. Figuratively and literally, Gene stands tall among a rich legacy of voices comprising the Homecoming bass section throughout the past twenty years.  Gene is also a devoted husband to Teri, and daddy to their precious little boy, Nathan.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.