A work in constant progress (and occasional regress).
Alias:
Stephen Maing
Stephen Maing is an American documentary filmmaker, cinematographer and producer. His documentary Crime and Punishment won a 2019 Emmy Award. His 2024 film Union won a 2024 Sundance Jury Award.
Camera Operator:
2018 Nothing Is Truer than Truth
Cinematography:
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
Co-Producer:
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
Consulting Producer:
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2024 The Strike
Director:
2012 High Tech, Low Life
2013 Hers To Lose
2015 The Surrender
2016 The Release
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2024 The Strike
2024 Union
Director of Photography:
2012 High Tech, Low Life
2013 Hers To Lose
2015 The Surrender
2016 The Release
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2023 After the Bite
2024 Look Into My Eyes
2024 The Strike
2024 Union
Editor:
2007 Tie a Yellow Ribbon
2012 High Tech, Low Life
2013 Hers To Lose
2015 The Surrender
2016 The Release
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2023 After the Bite
2024 Look Into My Eyes
2024 The Strike
2024 Union
???? Basic Emotions
Executive Producer:
2007 Tie a Yellow Ribbon
2012 High Tech, Low Life
2013 Hers To Lose
2015 The Surrender
2016 The Release
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2023 After the Bite
2024 Emergent City
2024 Look Into My Eyes
2024 The Strike
2024 Union
???? Basic Emotions
Producer:
2007 Tie a Yellow Ribbon
2012 High Tech, Low Life
2013 Hers To Lose
2015 The Surrender
2016 The Release
2018 Crime + Punishment
2018 Nothing Is Truer than Truth
2023 After the Bite
2024 Emergent City
2024 Look Into My Eyes
2024 The Strike
2024 Union
???? Basic Emotions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.