A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
January 1, 1930
Died:
January 1, 2011
Ricardo Becher (1930–2011) was an Argentine film director, screenwriter and journalist. He directed twelve films between 1955 and 2006. His 1969 film Coup de Grâce was entered into the 19th Berlin International Film Festival. He worked as Leopoldo Torre Nilsson's assistant director on four films. During the 1970s he made a living in advertising and publicity. Since 1990 he made a career as a filmmaking teacher and he has published two novels. In 2006 he screened his last feature film in the VI BAFICI (Buenos Aires Festival Internacional de Cine Independiente) where a retrospective of his films was made. He is the founder of the N.E.D Neo expresionismo digital, a way of transforming the video footage (imagen mundo) by postproduction filters in the search of its essence.
Assistant Director:
1962 Prisioneros de una noche
Director:
1962 Crimen
1962 Prisioneros de una noche
1963 Racconto
1969 Coup de Grace
2006 El gauchito gil, la sangre inocente
Producer:
1962 Crimen
1962 Prisioneros de una noche
1963 Racconto
1969 Coup de Grace
2006 El gauchito gil, la sangre inocente
Second Unit Director:
1962 Crimen
1962 Detrás de la mentira
1962 Prisioneros de una noche
1963 Racconto
1969 Coup de Grace
2006 El gauchito gil, la sangre inocente
Writer:
1960 The Friend
1962 Crimen
1962 Detrás de la mentira
1962 Prisioneros de una noche
1962 The Female: Seventy Times Seven
1963 Racconto
1963 The Terrace
1969 Coup de Grace
2002 La entrega
2006 El gauchito gil, la sangre inocente
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.