A work in constant progress (and occasional regress).
Alias:
Sidonie-Gabrielle Colette
Birthplace:
Saint-Sauveur-en-Puisaye, Yonne, France
Born:
January 28, 1873
Died:
August 3, 1954
Colette's fame extends to being probably the only female writer known by her mononym—She is always and only Colette, though in fact this most feminine of names was her surname: She was born Sidonie-Gabrielle Colette on 28 January 1873 in the French village of Saint-Sauveur-en-Puisaye. Her work—mostly at novella length, short and sharp—survives because her chief subject is one that never goes out of fashion. "Love, the bread and butter of my pen," she wrote, though she put it more bluntly in her book The Pure and the Impure (1932): "The flesh, always the flesh, the mysteries and betrayals and frustrations and surprises of the flesh." The story of Colette and her work is one of the most astonishing in modern literature. She was a pioneer of the French school of autofiction (autobiographical fiction), writing about women's lives in ways that broke new ground. Her books were simultaneously popular and acclaimed—read by critics and the public alike—not to mention scandalous. And she made of her life a project just as fascinating and subversive as her books. Among Colette's best known works are the "Claudine" novels, "La naissance du jour," "Gigi," "Chéri," "The Tendrils of the Vine,"... She was also a mime, actress, journalist and a woman of letters. Colette was the first woman to be elected to the Académie Goncourt and the Belgian Royal Academy, both indicia of respect for her writing.
Dialogue:
1934 Ladies Lake
Novel:
1918 La flamme cachée
1918 La vagabonda
1932 The Wanderer
1934 Ladies Lake
1937 Claudine at School
1949 Gigi
1950 Chéri
1950 Julie de Carneilhan
1950 Minne
1952 The Seven Deadly Sins
1954 Journey to Italy
1954 The Game of Love
1956 Mitsou
1958 Gigi
1962 Red Carnations
1980 Break of Day
1990 Julie de Carneilhan
1990 The Ripening Seed
2006 Mademoiselle Gigi
2009 Chéri
Scenario Writer:
1918 La flamme cachée
1918 La vagabonda
1932 The Wanderer
1934 Ladies Lake
1935 Divine
1937 Claudine at School
1949 Gigi
1950 Chéri
1950 Julie de Carneilhan
1950 Minne
1952 The Seven Deadly Sins
1954 Journey to Italy
1954 The Game of Love
1956 Mitsou
1958 Gigi
1962 Red Carnations
1980 Break of Day
1990 Julie de Carneilhan
1990 The Ripening Seed
2006 Mademoiselle Gigi
2009 Chéri
Writer:
1917 Claudine à l'école
1918 La flamme cachée
1918 La vagabonda
1932 The Wanderer
1934 Ladies Lake
1935 Divine
1937 Claudine at School
1949 Gigi
1950 Chéri
1950 Julie de Carneilhan
1950 Minne
1952 L’invidia
1952 The Seven Deadly Sins
1954 Journey to Italy
1954 The Game of Love
1956 Mitsou
1958 Gigi
1962 Red Carnations
1980 Break of Day
1990 Julie de Carneilhan
1990 The Other Woman
1990 The Ripening Seed
2006 Mademoiselle Gigi
2009 Chéri
2021 La gatta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.