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Letitia Wright (b. 1993)

Alias:
Letitia Michelle Wright
Λετίτια Ράιτ
Летиція Райт
لتیشا رایت
莉蒂西亞·萊特
레티티아 라이트

Birthplace:
Georgetown, Guyana

Born:
October 31, 1993

Biography from TheMovieDB

Letitia Michelle Wright (born October 31, 1993) is a Guyanese-British actress. Beginning her professional career in 2011, she has played roles in several British TV series, including Top Boy (2011), Coming Up (2013), Chasing Shadows (2014), Humans (2016), the Doctor Who episode "Face the Raven" (2015) and the Black Mirror episode "Black Museum" (2017); for the latter, she received a Primetime Emmy Award nomination for Outstanding Supporting Actress in a Limited Series or Movie.  The British Academy of Film and Television Arts named Wright among the 2015 group of BAFTA Breakthrough Brits for her role in the award-winning film Urban Hymn (2015). In 2018, she achieved global recognition for her portrayal of Shuri in the Marvel Cinematic Universe film Black Panther. She reprised the role in Avengers: Infinity War (2018), Avengers: Endgame (2019) and Black Panther: Wakanda Forever (2022). In 2019, she received the BAFTA Rising Star Award.  Description above is from the Wikipedia article Letitia Wright, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Executive Producer:
2024  Sound of Hope: The Story of Possum Trot

Producer:
2021  Lines
2021  Things I Never Told My Father
2022  The Silent Twins
2023  Surrounded
2024  Sound of Hope: The Story of Possum Trot
????  In the Shadows

Writer:
2021  Lines
2021  Things I Never Told My Father
2022  The Silent Twins
2023  Surrounded
2024  Sound of Hope: The Story of Possum Trot
????  In the Shadows

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TV Performances

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TV Production

Thanks:
2023  Voices Rising: The Music of Wakanda Forever

Writer:
2019  I Am...
2023  Voices Rising: The Music of Wakanda Forever

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.