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Ayisha Abraham (b. 1963)

Birthplace:
London, England

Born:
January 1, 1963

Biography from TheMovieDB

Lives and works in Bangalore, India  Ayisha Abraham’s work includes installations, short digital films and artist’s books. Much of her work has been about looking for and working with found material–old photographs and 8mm home movies. She plays with the original form by cutting, repositioning, repeating images and sound, and by chan­ging the scale she transports the viewer into confronting a world where the everyday begins to look strange and unfamiliar. Her work engages with notions of memory, history, migration and the natural world.  Ayisha Abraham’s art is conceptual and addresses audiences at home and internationally. She works at Srishti Institute of Art, Design and Technology and has been a member of the artist’s collective Bar1 (Bengaluru Artist’s Residency).

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Film Production

Director:
2005  Straight 8
2007  One Way
2007  The State of the World
2008  You are Here
2011  enroute or “of a Thousand Moons”
2012  I Saw a God Dance
2013  Through the Dark Mine

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.