A work in constant progress (and occasional regress).
Birthplace:
Kuala Lumpur
Born:
December 5, 1972
Amir Muhammad is a Malaysian writer and independent filmmaker
Associate Producer:
2023 Rahsia
Co-Producer:
2023 Pendatang
2023 Rahsia
Director:
2000 Lips to Lips
2002 6horts #1: Lost
2002 6horts #2: Friday
2002 6horts #3: Mona
2002 6horts #4: Checkpoint
2002 6horts #5: Kamunting
2002 6horts #6: Pangyau
2003 The Big Durian
2005 The Year of Living Vicariously
2005 Tokyo Magic Hour
2006 18MP
2006 The Last Communist
2007 Village People Radio Show
2008 Susuk
2009 15MALAYSIA
2009 Malaysian Gods
2016 Voyage to Terengganu
2023 Pendatang
2023 Rahsia
Executive Producer:
2000 Lips to Lips
2002 6horts #1: Lost
2002 6horts #2: Friday
2002 6horts #3: Mona
2002 6horts #4: Checkpoint
2002 6horts #5: Kamunting
2002 6horts #6: Pangyau
2003 The Big Durian
2005 The Year of Living Vicariously
2005 Tokyo Magic Hour
2006 18MP
2006 The Last Communist
2007 Village People Radio Show
2008 Susuk
2009 15MALAYSIA
2009 Call If You Need Me
2009 Malaysian Gods
2013 Julia’s Coffee
2016 Voyage to Terengganu
2020 Roh
2021 Irul: Ghost Hotel
2022 The Screaming Sky
2023 Pendatang
2023 Rahsia
???? Sabung
Writer:
2000 Lips to Lips
2002 6horts #1: Lost
2002 6horts #2: Friday
2002 6horts #3: Mona
2002 6horts #4: Checkpoint
2002 6horts #5: Kamunting
2002 6horts #6: Pangyau
2003 The Big Durian
2005 The Year of Living Vicariously
2005 Tokyo Magic Hour
2006 18MP
2006 The Last Communist
2007 Village People Radio Show
2008 Susuk
2009 15MALAYSIA
2009 Call If You Need Me
2009 Malaysian Gods
2013 Julia’s Coffee
2016 Voyage to Terengganu
2020 Roh
2021 Irul: Ghost Hotel
2022 The Screaming Sky
2023 Pendatang
2023 Rahsia
???? Sabung
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.