A work in constant progress (and occasional regress).
Alias:
Martín Rejtman
Мартин Рехтман
Birthplace:
Buenos Aires, Argentina
Born:
January 3, 1961
Martín Rejtman (born January 3, 1961, in Buenos Aires) is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. Rejtman studied filmmaking at New York University, where he had to make one short per week and had to shoot with what was available. At NYU he established a mode of production embraced by many other young Argentine filmmakers, both before and since: that is, the art of working with a small budget. Rejtman uses a minimalist style when making films. He said, "When I made Rapado, I felt that Argentine cinema had too much dialogue, and bad dialogue at that. I hate adornments, I hate artifice, I hate anything that's unnecessary, because there really is nothing beyond the screen.
Associate Producer:
2001 I Won't Go Back Home
2001 La Libertad
Co-Producer:
2001 I Won't Go Back Home
2001 La Libertad
2016 Kékszakállú
Director:
1986 Doli Goes Home
1992 Rapado
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2014 Two Shots Fired
2016 Kékszakállú
2019 Shakti
2024 Riders
2024 The Practice
Producer:
1986 Doli Goes Home
1992 Rapado
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2002 Everything Together
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2014 Two Shots Fired
2016 Kékszakállú
2019 Shakti
2024 Riders
2024 The Practice
Screenplay:
1986 Doli Goes Home
1992 Rapado
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2002 Everything Together
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2014 Two Shots Fired
2016 Kékszakállú
2019 Shakti
2024 Riders
2024 The Practice
Script Consultant:
1986 Doli Goes Home
1992 Rapado
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2002 Everything Together
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2014 Two Shots Fired
2016 Kékszakállú
2018 Dry Martina
2019 Shakti
2024 Riders
2024 The Practice
Thanks:
1986 Doli Goes Home
1992 Rapado
1996 Historias Breves II: Abrigo
1999 Crane World
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2002 Everything Together
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2011 Sidewalls
2014 Two Shots Fired
2015 Gulliver
2016 Kékszakállú
2018 Dry Martina
2019 Shakti
2024 Riders
2024 The Practice
Writer:
1986 Doli Goes Home
1992 Rapado
1996 Historias Breves II: Abrigo
1999 Crane World
1999 Silvia Prieto
2001 I Won't Go Back Home
2001 La Libertad
2002 Everything Together
2003 The Magic Gloves
2006 Copacabana
2009 Elementary Training for Actors
2011 Sidewalls
2014 Two Shots Fired
2015 Gulliver
2016 Kékszakállú
2018 Dry Martina
2019 Shakti
2024 Riders
2024 The Practice
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.