A work in constant progress (and occasional regress).
Alias:
تهاني راشد
Birthplace:
Cairo, Egypt
Born:
May 16, 1947
From her first feature film, Les voleurs de job (1980), Tahani Rached left her strong mark on our cinema. Noticed by Denys Arcand, he invited her to participate in the collective adventure of Comfort and Indifference (1981). She then moved to the NFB, where she directed several of the institution’s flagship films, dealing in turn with the Haitian condition, Palestinian survival, the Quebec hospital system, AIDS doctors, the fate of Egyptian women and an Outremont choir. Her most famous film to date remains Au chic resto Pop, which she dedicated in 1990 to a soup kitchen in the Hochelaga-Maisonneuve district. She filmed only testimonies in song, in collaboration with the composer-performer Steve Faulkner (known as Cassonade), thus accentuating a singular trait found in the majority of her films. This place left to the song as an expressive revelation of a critical aspect of the real situation that we want to capture. In 2006, the director returned to her native country where she made three films, Ces filles-là, a documentary selected by the Cannes Film Festival, Voisins and De longue haleine, which is dedicated to the Egyptian revolution as experienced by a local family.
Director:
1980 Les voleurs de job
1982 La phonie furieuse
1983 Beirut! Not Enough Death to Go Round
1985 Haïti (Québec)
1986 Bam Pay A! – Rends-moi mon pays!
1987 Haïti, Nous là! Nou La!
1990 Au chic Resto Pop
1993 Doctors with Heart
1997 Four Women of Egypt
1999 Emergency! A Critical Situation
2001 For a Song
2004 Soraida, a Woman of Palestine
2006 These Girls
2009 Neighbors
Researcher:
1980 Les voleurs de job
1982 La phonie furieuse
1983 Beirut! Not Enough Death to Go Round
1985 Haïti (Québec)
1986 Bam Pay A! – Rends-moi mon pays!
1987 Haïti, Nous là! Nou La!
1990 Au chic Resto Pop
1993 Doctors with Heart
1997 Four Women of Egypt
1999 Emergency! A Critical Situation
2001 For a Song
2004 Soraida, a Woman of Palestine
2006 These Girls
2009 Neighbors
Screenplay:
1980 Les voleurs de job
1982 La phonie furieuse
1983 Beirut! Not Enough Death to Go Round
1985 Haïti (Québec)
1986 Bam Pay A! – Rends-moi mon pays!
1987 Haïti, Nous là! Nou La!
1990 Au chic Resto Pop
1993 Doctors with Heart
1997 Four Women of Egypt
1999 Emergency! A Critical Situation
2001 For a Song
2004 Soraida, a Woman of Palestine
2006 These Girls
2009 Neighbors
Script:
1980 Les voleurs de job
1982 La phonie furieuse
1983 Beirut! Not Enough Death to Go Round
1985 Haïti (Québec)
1986 Bam Pay A! – Rends-moi mon pays!
1987 Haïti, Nous là! Nou La!
1990 Au chic Resto Pop
1993 Doctors with Heart
1997 Four Women of Egypt
1999 Emergency! A Critical Situation
2001 For a Song
2004 Soraida, a Woman of Palestine
2006 These Girls
2009 Neighbors
Writer:
1980 Les voleurs de job
1982 La phonie furieuse
1983 Beirut! Not Enough Death to Go Round
1985 Haïti (Québec)
1986 Bam Pay A! – Rends-moi mon pays!
1987 Haïti, Nous là! Nou La!
1990 Au chic Resto Pop
1993 Doctors with Heart
1997 Four Women of Egypt
1999 Emergency! A Critical Situation
2001 For a Song
2004 Soraida, a Woman of Palestine
2006 These Girls
2009 Neighbors
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.