A work in constant progress (and occasional regress).
Alias:
Райнхольд Месснер
رينولد ميسنر
Birthplace:
Brixen, South Tyrol, Italy
Born:
September 17, 1944
Reinhold Messner, born September 17, 1944 in Bressanone/Brixen in South Tyrol, is a German-speaking Italian mountaineer, considered by many to be one of the best of the 20th century. A great defender of the alpine style and destroyer of the expedition style, he is notably known for having made the first ascent of Everest without oxygen supply with Peter Habeler, in May 1978, and was the first to have climbed the fourteen peaks more 8,000 meters in 1986.
Director:
2016 Still Alive – Drama am Mount Kenya
2019 Mythos Cerro Torre: Reinhold Messner auf Spurensuche
2021 Nanga Parbat - Mein Schlüsselberg
Idea:
1991 Scream of Stone
2016 Still Alive – Drama am Mount Kenya
2019 Mythos Cerro Torre: Reinhold Messner auf Spurensuche
2021 Nanga Parbat - Mein Schlüsselberg
Second Unit Director of Photography:
1985 The Dark Glow of the Mountain
1991 Scream of Stone
2016 Still Alive – Drama am Mount Kenya
2019 Mythos Cerro Torre: Reinhold Messner auf Spurensuche
2021 Nanga Parbat - Mein Schlüsselberg
Thanks:
1985 The Dark Glow of the Mountain
1991 Scream of Stone
2007 Lissi and the Wild Emperor
2016 Still Alive – Drama am Mount Kenya
2019 Mythos Cerro Torre: Reinhold Messner auf Spurensuche
2021 Nanga Parbat - Mein Schlüsselberg
Writer:
1985 The Dark Glow of the Mountain
1991 Scream of Stone
2007 Lissi and the Wild Emperor
2016 Still Alive – Drama am Mount Kenya
2019 Mythos Cerro Torre: Reinhold Messner auf Spurensuche
2021 Nanga Parbat - Mein Schlüsselberg
Book:
2020 Meine Achttausender – Reinhold Messner
Director of Photography:
1990 Through the Homeland of Ice and Storms
2020 Meine Achttausender – Reinhold Messner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.