A work in constant progress (and occasional regress).
Alias:
Gustavo Mosquera
Gustavo Daniel Mosquera Rorai, better known as Gustavo Mosquera R. (born September 5, 1959), is an Argentine film director, screenwriter, and producer. He is characterized by his science fiction and surrealist narratives.
Additional Third Assistant Director:
1982 Last Days of the Victim
Camera Operator:
1982 Last Days of the Victim
1987 GuachoAbel
Director:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
2019 Radio Olmos
Producer:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
2019 Radio Olmos
Screenplay:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
2019 Radio Olmos
Script:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
2019 Radio Olmos
Steadicam Operator:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
2019 Radio Olmos
Thanks:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
1998 Fine Powder
2019 Radio Olmos
Writer:
1982 Las garras del tiempo
1982 Last Days of the Victim
1985 Arden los juegos
1985 Con la primavera en el bolsillo
1987 GuachoAbel
1987 Viedma hoy
1988 Lo que vendrá
1996 Moebius
1998 Fine Powder
2019 Radio Olmos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.