A work in constant progress (and occasional regress).
Birthplace:
Washington, District of Columbia, USA
Born:
August 24, 1895
Died:
August 24, 1985
From Wikipedia, the free encyclopedia. Morrie Ryskind (born October 20, 1895, New York City — died August 24, 1985, Washington, D.C.) was an American dramatist, lyricist and writer of theatrical productions and motion pictures, who became a conservative political activist later in life. Description above from the Wikipedia article Morrie Ryskind, licensed under CC-BY-SA, full list of contributors on Wikipedia
Adaptation:
1946 Heartbeat
Additional Dialogue:
1940 His Girl Friday
1946 Heartbeat
Screenplay:
1929 The Cocoanuts
1930 Animal Crackers
1935 A Night at the Opera
1936 My Man Godfrey
1937 Stage Door
1938 Room Service
1939 Man About Town
1940 His Girl Friday
1941 Penny Serenade
1945 Where Do We Go from Here?
1946 Heartbeat
Story:
1929 The Cocoanuts
1930 Animal Crackers
1931 Palmy Days
1935 A Night at the Opera
1936 My Man Godfrey
1937 Stage Door
1938 Room Service
1939 Man About Town
1940 His Girl Friday
1941 Penny Serenade
1945 Where Do We Go from Here?
1946 Heartbeat
Theatre Play:
1929 The Cocoanuts
1930 Animal Crackers
1931 Palmy Days
1935 A Night at the Opera
1936 My Man Godfrey
1937 Stage Door
1938 Room Service
1939 Man About Town
1940 His Girl Friday
1941 Louisiana Purchase
1941 Penny Serenade
1945 Where Do We Go from Here?
1946 Heartbeat
Writer:
1929 The Cocoanuts
1930 Animal Crackers
1931 Palmy Days
1935 A Night at the Opera
1936 My Man Godfrey
1936 The Luckiest Girl in the World
1937 Stage Door
1938 Room Service
1939 Man About Town
1940 His Girl Friday
1941 Louisiana Purchase
1941 Penny Serenade
1943 Claudia
1945 Where Do We Go from Here?
1946 Heartbeat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.