A work in constant progress (and occasional regress).
Alias:
Анна Пармас
Birthplace:
Leningrad, RSFSR, USSR
Born:
May 24, 1970
Anna Yakovlevna Parmas (Russian: Анна Яковлевна Пармас; born May 24, 1970; Leningrad) is a Russian director and screenwriter. Father is Estonian, mother is Russian. In childhood, she dreamed of becoming an actress, but under the influence of her father she chose the profession of engineer and entered LIAP, which she graduated in 1993. In the future, the specialty did not work. I tried myself at Lenfilm and at Art Pictures Petersburg as an assistant director, two years later I went to Modern radio. From 1995 to 2004, in collaboration with her first husband, Andrei Balashov, he launched popular TV projects with the participation of Dmitry Nagiyev and Sergei Rost: 'Careful, modern!', 'Careful, modern! 2' and talk show 'Once in the evening'. The broadcasts came out on the Sixth Channel of St. Petersburg Television, as well as on STS, TNT and RTR. In 2004, the team 'Modern' broke up. From 2004 to 2007, as a director and screenwriter, Parmas worked on various TV channels, including Belarusfilm studio, where she shot the mini-series 'Gentle Winter', and on 'Fifth Channel', for which she shot the TV game 'Against the Mafia'.
Director:
2003 Ostorozhno, modern! 2004
2016 Petersburg: Selfie
2018 The Last Six Degrees of Celebration
2019 Another Woman
2019 Pilik
Producer:
2003 Ostorozhno, modern! 2004
2016 Petersburg: Selfie
2018 The Last Six Degrees of Celebration
2019 Another Woman
2019 Pilik
2024 I Won't Tell
Screenplay:
2003 Ostorozhno, modern! 2004
2011 Two Days
2012 Kokoko
2012 Plov
2016 Petersburg: Selfie
2018 The Last Six Degrees of Celebration
2018 The Tolstoy Defence
2019 Another Woman
2019 Pilik
2024 I Won't Tell
Writer:
2003 Ostorozhno, modern! 2004
2011 On the Hook!
2011 Two Days
2012 Kokoko
2012 Plov
2016 Petersburg: Selfie
2018 The Last Six Degrees of Celebration
2018 The Tolstoy Defence
2019 Another Woman
2019 Pilik
2024 I Won't Tell
Creative Producer:
???? Comrade Major
Creator:
1996 Осторожно, модерн!
2001 Осторожно, модерн! 2
2018 Sveta From the Other World
???? Comrade Major
???? Minus Dima
Director:
1996 Осторожно, модерн!
2001 Осторожно, модерн! 2
2018 Sveta From the Other World
2022 Correction and Punishment
2022 Unreality
2025 Дорогой родственник
???? Comrade Major
???? Minus Dima
Scenario Writer:
1996 Осторожно, модерн!
2001 Осторожно, модерн! 2
2018 Sveta From the Other World
2021 Vertinsky
2022 Correction and Punishment
2022 Unreality
2025 Дорогой родственник
???? Comrade Major
???? Minus Dima
Screenplay:
1996 Осторожно, модерн!
2001 Осторожно, модерн! 2
2018 Sveta From the Other World
2021 Vertinsky
2022 Correction and Punishment
2022 Unreality
2025 Дорогой родственник
???? Comrade Major
???? Minus Dima
Writer:
1996 Осторожно, модерн!
2001 Осторожно, модерн! 2
2004 Careful, Zadov!
2018 Sveta From the Other World
2021 Vertinsky
2022 Correction and Punishment
2022 Unreality
2025 Дорогой родственник
???? Comrade Major
???? Minus Dima
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.