A work in constant progress (and occasional regress).
Alias:
Kwok Kei-Lai
Phyllis Quek Kei-Lai
郭妃丽
郭妃麗
Birthplace:
Kuala Lumpur, Malaysia
Born:
August 23, 1972
Phyllis Quek is a Malaysia-born model-turned-actress and singer in Singapore. She was prominently a full-time Mediacorp artiste from 1995 to 2001 but continues to film on an ad-hoc basis and managed under Hype Records. She left Mediacorp after her contract expired and chose not to renew it. Phyllis Quek's entry to Singapore showbiz was through Star Search 1995, in which she garnered a third placing. Despite this, a stunning performance in her debut drama serial, Beyond Dawn (女子监狱), left an indelible impression in the hearts of viewers. She was subsequently awarded the Best Newcomer Award at MediaCorp's Star Awards ceremony in 1996. Phyllis struck gold when MediaCorp Raintree Pictures offered her a lead role opposite Hong Kong megastar Aaron Kwok and Daniel Wu in a Hong Kong-Singapore joint collaboration movie, 2000 A.D.. Through this action flick, she won attention in the Asian media and is noted to have a high potential in local book Singapore Cinema by Raphaël Millet. She subsequently followed this up with a supporting role as a policewoman in another Raintree Pictures film, The Tree (孩子树). Her recording of the theme song of her earlier drama, The Other Parent (妈妈先生) and Mind Games (危险人物) marked the start of a nascent career in singing. She then released her debut album, Phyllis, under Hype Records which contained primarily dance tunes and singles from the soundtrack of The Tree and Beyond The Axis Of Truth (法医X档案). To promote her album, Phyllis guest starred in a Channel 5's crime drama series Heartlanders 2 where she played a stalked actress. That particular episode featured her song, '不知不觉', thrice and was a radio hit along with her other singles, 'Freedom'. However, the album did not mark the start of a longstanding music career for Phyllis and it was to remain her first and only album. As soon as her contract expired in 2001, she made a critical decision to switch to another management company, Hype Records Artiste Networks after she enjoyed working with them whilst producing her debut album. In keeping with Hype Records' plans for regionalisation, Phyllis made another conscious decision to star in productions from primarily the East Asian region (including Taiwan and China). She made her debut in Taiwan headlining the wacky lead role in a fluffy idol drama titled My Fair Lady (丑女大翻身), in which she donned fatsuits and prosthetics in order to play a fat and undesired girl.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.