A work in constant progress (and occasional regress).
Alias:
κΉνμ
KIM Hyun-seok is a new cinematographer who is praised for capturing sadness so beautiful as to be frightening in just two films, Poetry(2010) and A Brand New Life(2009). That Poetry is the most recent film by [LEE Chang-dong] and A Brand New Life by [Ounie Lecomte] was produced by LEE are the commonality that ties him to the two films. KIM is credited for successfully condensing beauty and violence in both of the films. While a directors directing drives the making of a film, KIMs camera shows a restrained gaze at the characters at an optimal distance, leaving an impression that cannot be easily passed over. The cool blue light that filled up the frames of Poetry and the afterglow left behind indifferently by his camerawork in A Brand New Life make KIMs upcoming images that much more anticipated.
Additional Director of Photography:
2023 Green Night
Director of Photography:
2009 A Brand New Life
2010 Poetry
2014 A Girl at My Door
2014 Seoul Life
2015 The Sound of a Flower
2019 Kim-Gun
2019 So Long, My Son
2020 Me and Me
2023 Beyond Utopia
2023 Green Night
2024 Above the Dust
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.