A work in constant progress (and occasional regress).
Bill Brown is a media artist interested in ways landscape is interpreted, appropriated, and reconfigured according to human desires, memories, and dreams. His films have screened at venues around the world, including the Rotterdam Film Festival, the London Film Festival, the Sundance Film Festival, and Lincoln Center. A retrospective of his films was shown at the Museum of Modern Art in New York. In addition to his filmmaking, Brown is the co-founder of the Zine Machine: Durham Printed Matter Festival, and the Cosmic Rays Film Festival, an annual showcase of experimental and first-person films.
Director:
1994 Roswell
1997 Hub City
1999 Confederation Park
2002 Buffalo Common
2003 Mountain State
2005 Kustom Kamera Kommandos
2006 The Other Side
2009 Chicago Corner
2010 Uranus
2011 Document
2012 Memorial Land
2014 Speculation Nation
2016 A Question of Reentry
2017 Amarillo Ramp
2018 XCTRY
2019 Life on the Mississippi
???? Letters to Caveh (2001-2004)
Producer:
1994 Roswell
1997 Hub City
1999 Confederation Park
2002 Buffalo Common
2003 Mountain State
2005 Kustom Kamera Kommandos
2006 The Other Side
2009 Chicago Corner
2010 Uranus
2011 Document
2012 Memorial Land
2013 A Return to The Return to Reason
2014 Speculation Nation
2016 A Question of Reentry
2017 Amarillo Ramp
2018 XCTRY
2019 Life on the Mississippi
???? Letters to Caveh (2001-2004)
Screenplay:
1994 Roswell
1997 Hub City
1999 Confederation Park
2002 Buffalo Common
2003 Mountain State
2005 Kustom Kamera Kommandos
2006 The Other Side
2009 Chicago Corner
2010 Uranus
2011 Document
2012 Memorial Land
2013 A Return to The Return to Reason
2014 Speculation Nation
2016 A Question of Reentry
2017 Amarillo Ramp
2018 XCTRY
2019 Life on the Mississippi
???? Letters to Caveh (2001-2004)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.