A work in constant progress (and occasional regress).
Alias:
Edison Baptista
Camera Operator:
1971 Pra Quem Fica, Tchau
1986 It's Not All True
2012 Flesh and Soul
Cinematography:
1971 Pra Quem Fica, Tchau
1978 Black Goddess
1978 O Lobo do Homem ou Relações Humanas
1986 It's Not All True
2012 Flesh and Soul
Director of Photography:
1969 Isto é Lamartine
1970 Marcelo Zona Sul
1971 André, a Cara e a Coragem
1971 Pra Quem Fica, Tchau
1973 A Filha de Madame Betina
1973 Amante Muito Louca!
1974 Amor e Medo
1974 O Mau-Caráter
1975 Nós, Os Canalhas
1975 O Padre Que Queria Pecar
1975 Possessed by a Thousand Demons
1975 Ukrinmakrinkrin, A Música de Marlos Nobre
1976 O Esquadrão da Morte
1976 O Sexo das Bonecas
1976 Tem Folga na Direção
1977 Os Amores da Pantera
1978 Black Goddess
1978 O Lobo do Homem ou Relações Humanas
1979 '78 Cup - The Power of Football
1979 Lerfá Mú
1984 Women in Fury
1985 Massacre in Dinosaur Valley
1986 It's Not All True
1989 The Hard Way
1990 Savage Attraction
1991 Campeones
2012 Flesh and Soul
Visual Effects:
1969 Isto é Lamartine
1970 Marcelo Zona Sul
1971 André, a Cara e a Coragem
1971 Pra Quem Fica, Tchau
1973 A Filha de Madame Betina
1973 Amante Muito Louca!
1974 Amor e Medo
1974 O Mau-Caráter
1975 Nós, Os Canalhas
1975 O Padre Que Queria Pecar
1975 Possessed by a Thousand Demons
1975 Ukrinmakrinkrin, A Música de Marlos Nobre
1976 O Esquadrão da Morte
1976 O Sexo das Bonecas
1976 Tem Folga na Direção
1977 Os Amores da Pantera
1978 Black Goddess
1978 O Lobo do Homem ou Relações Humanas
1979 '78 Cup - The Power of Football
1979 Lerfá Mú
1982 Os Trapalhões na Serra Pelada
1984 Women in Fury
1985 Massacre in Dinosaur Valley
1986 It's Not All True
1989 The Hard Way
1990 Savage Attraction
1991 Campeones
2012 Flesh and Soul
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.