A work in constant progress (and occasional regress).
Alias:
Ферн Силва
Birthplace:
Hartford, Connecticut, U.S.
Born:
October 1, 1982
Fern Silva (1982, USA/Portugal) is an artist who began working as an editor and cameraperson in NYC. His early films centered on his relationship to Portugal and have since expanded, underlining the influence of industry on culture and the environment. For over a decade, his 16mm films have been screened widely in festivals, museums, and cinematheques including the Media City, Toronto, Berlin, Locarno, Rotterdam, New York, London, Melbourne, and Hong Kong International Film Festivals, MOMA PS1, New Museum, Anthology Film Archive, and the Harvard Film Archive. They've been awarded prizes from the Ann Arbor Film Festival (Gus Van Sant Award), 25FPS Festival (Grand Prix), and the Agora Post-Production Award from the Thessaloniki International Film Festival. His work has been featured in publications including Cinema Scope, Filmmaker Magazine, and Film Comment. He's taught filmmaking at various institutions including the University of Illinois at Chicago, Bard College, and Bennington College and has received support from the Jerome Foundation, New York Foundation for the Arts, MacDowell, and the Radcliffe Institute for Advanced Study. He studied film at the Massachusetts College of Art and Bard College and is a fellow at the Film Study Center at Harvard University.
Camera Operator:
2011 Forged Ways
2021 Rock Bottom Riser
Cinematography:
2011 Forged Ways
2021 Rock Bottom Riser
???? Just a Soul Responding
Director:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2014 Tender Feet
2014 Wayward Fronds
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Director of Photography:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Editor:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Producer:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Pants on Fire
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Screenplay:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Pants on Fire
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Sound Editor:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Pants on Fire
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Sound Supervisor:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Pants on Fire
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2018 The Grand Bizarre
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Thanks:
2006 The Most Beautiful Smile in the World
2007 Notes from a Bastard Child
2008 After Marks
2008 Spinners
2009 Sahara Mosaic
2010 Servants of Mercy
2011 Forged Ways
2011 In the Absence of Light, Darkness Prevails
2011 Passage Upon the Plume
2011 Peril of the Antilles
2012 Concrete Parlay
2013 Liahona
2014 Tender Feet
2014 Wayward Fronds
2015 Pants on Fire
2015 Scales in the Spectrum of Space
2017 Ride Like Lightning, Crash Like Thunder
2017 The Watchmen
2018 The Grand Bizarre
2020 Lore
2021 Rock Bottom Riser
???? Just a Soul Responding
???? Rebounds
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.