A work in constant progress (and occasional regress).
Birthplace:
Linz, Austria
Born:
May 17, 1940
Valie Export, born Waltraud Lehner, is an Austrian artist. Her artistic work includes video installations, body performances, expanded cinema, computer animations, photography, sculptures and publications covering contemporary arts.
Director:
1967 Abstract Film No. 1
1967 Orgasmus
1967 Self-Portrait with Head
1968 Touch Cinema
1969 Tapp and Tastkino
1969 The Sweet Number - An Experience of Consumption
1970 Body Tape
1971 Facing a Family
1972 Interrupted Line
1973 ...Remote..... Remote....
1973 Adjunct Dislocations
1973 Asemie – The inability to express oneself through facial expressions
1973 Breath Text: Love Poem
1973 Hyperbulie
1973 Man & Woman & Animal
1973 Visual Text: Finger Poem
1974 Body Politics
1974 Seeing-Space and Hearing-Space - Original length/linear cut
1977 Delta. A Piece
1977 Invisible Adversaries
1978 Adjunct Dislocations II
1980 Menschenfrauen
1980 Seeing-Space and Hearing-Space
1983 Syntagma
1985 The Practice of Love
1986 Lust
1986 Seven Women, Seven Sins
1986 The Duality of Nature
1987 A Perfect Pair
1988 Elfriede Jelinek. News from Home 18.8.88
1992 The Unspeakable Speaking
1997 Vaginan
2007 The Voice as Performance, Act and Body
2009 I turn over the pictures of my voice in my head
2010 Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone
Editor:
1967 Abstract Film No. 1
1967 Orgasmus
1967 Self-Portrait with Head
1968 Touch Cinema
1969 Tapp and Tastkino
1969 The Sweet Number - An Experience of Consumption
1970 Body Tape
1971 Facing a Family
1972 Interrupted Line
1973 ...Remote..... Remote....
1973 Adjunct Dislocations
1973 Asemie – The inability to express oneself through facial expressions
1973 Breath Text: Love Poem
1973 Hyperbulie
1973 Man & Woman & Animal
1973 Visual Text: Finger Poem
1974 Body Politics
1974 Seeing-Space and Hearing-Space - Original length/linear cut
1977 Delta. A Piece
1977 Invisible Adversaries
1978 Adjunct Dislocations II
1980 Menschenfrauen
1980 Seeing-Space and Hearing-Space
1983 Syntagma
1985 The Practice of Love
1986 Lust
1986 Seven Women, Seven Sins
1986 The Duality of Nature
1987 A Perfect Pair
1988 Elfriede Jelinek. News from Home 18.8.88
1992 The Unspeakable Speaking
1997 Vaginan
2007 The Voice as Performance, Act and Body
2009 I turn over the pictures of my voice in my head
2010 Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone
Producer:
1967 Abstract Film No. 1
1967 Orgasmus
1967 Self-Portrait with Head
1968 Touch Cinema
1969 Tapp and Tastkino
1969 The Sweet Number - An Experience of Consumption
1970 Body Tape
1971 Facing a Family
1972 Interrupted Line
1973 ...Remote..... Remote....
1973 Adjunct Dislocations
1973 Asemie – The inability to express oneself through facial expressions
1973 Breath Text: Love Poem
1973 Hyperbulie
1973 Man & Woman & Animal
1973 Visual Text: Finger Poem
1974 Body Politics
1974 Seeing-Space and Hearing-Space - Original length/linear cut
1977 Delta. A Piece
1977 Invisible Adversaries
1978 Adjunct Dislocations II
1980 Menschenfrauen
1980 Seeing-Space and Hearing-Space
1983 Syntagma
1985 The Practice of Love
1986 Lust
1986 Seven Women, Seven Sins
1986 The Duality of Nature
1987 A Perfect Pair
1988 Elfriede Jelinek. News from Home 18.8.88
1992 The Unspeakable Speaking
1997 Vaginan
2007 The Voice as Performance, Act and Body
2009 I turn over the pictures of my voice in my head
2010 Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone
Screenplay:
1967 Abstract Film No. 1
1967 Orgasmus
1967 Self-Portrait with Head
1968 Touch Cinema
1969 Tapp and Tastkino
1969 The Sweet Number - An Experience of Consumption
1970 Body Tape
1971 Facing a Family
1972 Interrupted Line
1973 ...Remote..... Remote....
1973 Adjunct Dislocations
1973 Asemie – The inability to express oneself through facial expressions
1973 Breath Text: Love Poem
1973 Hyperbulie
1973 Man & Woman & Animal
1973 Visual Text: Finger Poem
1974 Body Politics
1974 Seeing-Space and Hearing-Space - Original length/linear cut
1977 Delta. A Piece
1977 Invisible Adversaries
1978 Adjunct Dislocations II
1980 Menschenfrauen
1980 Seeing-Space and Hearing-Space
1983 Syntagma
1985 The Practice of Love
1986 Lust
1986 Seven Women, Seven Sins
1986 The Duality of Nature
1987 A Perfect Pair
1988 Elfriede Jelinek. News from Home 18.8.88
1992 The Unspeakable Speaking
1997 Vaginan
2007 The Voice as Performance, Act and Body
2009 I turn over the pictures of my voice in my head
2010 Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone
Writer:
1967 Abstract Film No. 1
1967 Orgasmus
1967 Self-Portrait with Head
1968 Touch Cinema
1969 Tapp and Tastkino
1969 The Sweet Number - An Experience of Consumption
1970 Body Tape
1971 Facing a Family
1972 Interrupted Line
1973 ...Remote..... Remote....
1973 Adjunct Dislocations
1973 Asemie – The inability to express oneself through facial expressions
1973 Breath Text: Love Poem
1973 Hyperbulie
1973 Man & Woman & Animal
1973 Visual Text: Finger Poem
1974 Body Politics
1974 Seeing-Space and Hearing-Space - Original length/linear cut
1977 Delta. A Piece
1977 Invisible Adversaries
1978 Adjunct Dislocations II
1980 Menschenfrauen
1980 Seeing-Space and Hearing-Space
1983 Syntagma
1984 The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde
1985 The Practice of Love
1986 Lust
1986 Seven Women, Seven Sins
1986 The Duality of Nature
1987 A Perfect Pair
1988 Elfriede Jelinek. News from Home 18.8.88
1992 The Unspeakable Speaking
1997 Vaginan
2007 Seven Easy Pieces
2007 The Voice as Performance, Act and Body
2009 I turn over the pictures of my voice in my head
2010 Anagrammatical Composition with Dice by VALIE EXPORT (after W.A. Mozart, Piano) for Soprano Saxophone
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.