A work in constant progress (and occasional regress).
Birthplace:
Baton Rouge, Louisiana, USA
Janie Geiser is an American artist and experimental filmmaker. Her notable works include The Fourth Watch, Terrace 49, The Red Book, The Secret Story, Colors, Immer Zu, Lost Motion, and Clouded Sulphur.
Director:
1985 Hangman
1992 Babel Town
1994 The Red Book
1996 The Secret Story
1997 Immer Zu
1999 Lost Motion
2000 The Fourth Watch
2002 Ultima Thule
2004 Terrace 49
2010 Ghost Algebra
2010 Kindless Villain
2010 The Floor of the World
2011 Ricky
2012 Arbor
2014 Kriminalistik
2014 The Hummingbird Wars
2015 Cathode Garden
2016 Flowers of the Sky
2016 Silent Sister
2017 Look and Learn
2018 Valeria Street
2019 Fluorescent Girl
2019 Reverse Shadow
2020 22 Light-Years
2020 Absent Objects
2021 Vaporetto
2022 Chameleon Law
2023 Heliotrope
2024 Slideshow
???? Anxious Animation
???? Spiral Vessel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.