A work in constant progress (and occasional regress).
Birthplace:
New York, New York, U.S.
Cinematography:
1984 The Bite
1987 Beauty Brothers
1987 Dolly, Lotte and Maria
2008 Looking For Chet Again In All the Familiar Places
2012 STOP
2018 14 STANDARD 8mm REELS 1981–1988
Director:
1984 The Bite
1987 Beauty Brothers
1987 Dolly, Lotte and Maria
1989 House of Trés
1991 R.E.M. - This Film Is On
1991 Sketches for Late City Final
2008 Discharge
2008 Looking For Chet Again In All the Familiar Places
2012 STOP
2014 Low Down
2018 14 STANDARD 8mm REELS 1981–1988
2024 The Secret World
Director of Photography:
1984 The Bite
1987 Beauty Brothers
1987 Broken Noses
1987 Dolly, Lotte and Maria
1988 Let's Get Lost
1989 House of Trés
1989 Survival in New York
1991 R.E.M. - This Film Is On
1991 Sketches for Late City Final
2008 Discharge
2008 Looking For Chet Again In All the Familiar Places
2012 STOP
2014 Low Down
2018 14 STANDARD 8mm REELS 1981–1988
2024 The Secret World
Editor:
1984 The Bite
1987 Beauty Brothers
1987 Broken Noses
1987 Dolly, Lotte and Maria
1988 Let's Get Lost
1989 House of Trés
1989 Survival in New York
1991 R.E.M. - This Film Is On
1991 Sketches for Late City Final
2008 Discharge
2008 Looking For Chet Again In All the Familiar Places
2012 STOP
2014 Low Down
2018 14 STANDARD 8mm REELS 1981–1988
2024 The Secret World
Executive Producer:
1984 The Bite
1987 Beauty Brothers
1987 Broken Noses
1987 Dolly, Lotte and Maria
1988 Let's Get Lost
1989 House of Trés
1989 Survival in New York
1991 R.E.M. - This Film Is On
1991 Sketches for Late City Final
2008 Discharge
2008 Gigantic
2008 Looking For Chet Again In All the Familiar Places
2012 STOP
2014 Low Down
2018 14 STANDARD 8mm REELS 1981–1988
2024 The Secret World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.