A work in constant progress (and occasional regress).
Alias:
Elena Nathanael
Έλενα Ναθαναήλ
Ελενα Ναθαναηλ
Birthplace:
Athens, Greece
Born:
January 19, 1947
Died:
March 4, 2008
Elena Nathanael (Greek: Έλενα Ναθαναήλ, January 19, 1947 – March 4, 2008) was a Greek film actress. Her impressively good looks got her noticed in the 1960s by producers and directors of the then-flourishing Greek cinema. She first appeared at the cinema, in the movie Kati na kaiei in 1964, directed by Giannis Dalianidis. Her second screen role was in 1965, in the German movie The Blood of the Walsungs, directed by Rolf Thiele and based on a Thomas Mann novel. A few more parts followed in Greek movies of the late sixties and in most of her roles she was featured as a spoilt rich girl. In 1968 she got the "Best Actress Award" in the International Thessaloniki Film Festival for her role in the movie Randevou me mia agnosti. In the early 1970s she established her screen persona as a free-spirited, beautiful young woman and became a fashion icon. The abrupt decline of the Greek commercial cinema during that decade had an unpleasant impact on her career which was something usual for the Greek film stars of the period. After a seven-year absence she made a comeback with a number of straight-to-video movies, usually light comedies. After that she faded away and she made only some special appearances. One of her roles worthy of her beauty and acting abilities was that of "Julia" in the hugely successful soap opera, Aggigma psyhis, in 1998. Her last appearance was the role of "Maya Hoover" in the popular TV series aired on Mega Channel, Gorgones, in 2007, and her return was warmly received by the audience .
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.