A work in constant progress (and occasional regress).
Additional Director of Photography:
1950 The Blue Lamp
1951 Pool of London
1951 The Man in the White Suit
Director of Photography:
1948 Against the Wind
1949 Passport to Pimlico
1949 Train of Events
1950 The Blue Lamp
1950 The Magnet
1951 Pool of London
1951 The Man in the White Suit
1953 The Good Beginning
1953 Valley of Song
1954 Dangerous Cargo
1955 The Night My Number Came Up
1957 That Woman Opposite
1957 The Surgeon's Knife
1958 Fiend Without a Face
1958 Grip of the Strangler
1958 I Only Arsked
1962 She Always Gets Their Man
Second Unit Director of Photography:
1946 The Captive Heart
1948 Against the Wind
1949 Passport to Pimlico
1949 Train of Events
1950 The Blue Lamp
1950 The Magnet
1951 Pool of London
1951 The Man in the White Suit
1953 The Good Beginning
1953 Valley of Song
1954 Dangerous Cargo
1955 The Night My Number Came Up
1957 That Woman Opposite
1957 The Surgeon's Knife
1958 Fiend Without a Face
1958 Grip of the Strangler
1958 I Only Arsked
1958 The Sheriff of Fractured Jaw
1962 She Always Gets Their Man
Special Effects:
1945 Dead of Night
1946 Bedelia
1946 The Captive Heart
1947 The Life and Adventures of Nicholas Nickleby
1947 The Loves of Joanna Godden
1948 Against the Wind
1949 Passport to Pimlico
1949 Train of Events
1950 The Blue Lamp
1950 The Magnet
1951 Pool of London
1951 The Man in the White Suit
1953 The Good Beginning
1953 Valley of Song
1954 Dangerous Cargo
1955 The Night My Number Came Up
1957 That Woman Opposite
1957 The Surgeon's Knife
1958 Carve Her Name with Pride
1958 Fiend Without a Face
1958 Grip of the Strangler
1958 I Only Arsked
1958 The Sheriff of Fractured Jaw
1962 She Always Gets Their Man
Director of Photography:
1955 The Adventures of the Scarlet Pimpernel
1956 The Count of Monte Cristo
1962 The Saint
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.