A work in constant progress (and occasional regress).
George S. Fleming was an American actor, director, and scenic designer active in the early 20th century. In January 1901, he joined the Edison Manufacturing Company as it opened its new rooftop studio on East Twenty-First Street in New York City. Fleming frequently collaborated with Edwin S. Porter, contributing to several early films. Notably, he co-directed What Happened on Twenty-third Street, New York City (1901), a short film that humorously depicts a woman's skirt being lifted by a gust of air from a sidewalk grate. This scene is considered an early example of cinematic humor and voyeurism. Fleming's work during this formative period of cinema helped lay the groundwork for narrative storytelling in film.
Director:
1901 The Old Maid Having Her Picture Taken
1901 Trapeze Disrobing Act
1901 What Happened on Twenty-Third Street, New York City
1902 Interrupted Bathers
1902 Jack and the Beanstalk
1902 The Burlesque Suicide, No. 2
1903 Life of an American Fireman
Production Assistant:
1901 Execution of Czolgosz with Panorama of Auburn Prison
1901 The Old Maid Having Her Picture Taken
1901 Trapeze Disrobing Act
1901 What Happened on Twenty-Third Street, New York City
1902 Interrupted Bathers
1902 Jack and the Beanstalk
1902 The Burlesque Suicide, No. 2
1903 Life of an American Fireman
Set Designer:
1901 Execution of Czolgosz with Panorama of Auburn Prison
1901 The Old Maid Having Her Picture Taken
1901 Trapeze Disrobing Act
1901 What Happened on Twenty-Third Street, New York City
1902 Interrupted Bathers
1902 Jack and the Beanstalk
1902 The Burlesque Suicide, No. 2
1903 Life of an American Fireman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.