Mátyás Erdély (b. 1976)

Alias:
Matyas Erdely

Birthplace:
Budapest, Hungary

Born:
September 17, 1976

Erdély (born 17 September 1976) is a Hungarian cinematographer. Among his best-known films is the 2015 Hungarian film Son of Saul, which won the award for Best Foreign Language Film at the 88th Academy Awards. Erdély won the Bronze Frog at Camerimage and the Golden Camera 300 at the Manaki Brothers Film Festival for his cinematography on the film. His other work includes Delta (2008), Tender Son: The Frankenstein Project (2010), Miss Bala (2011), The Quiet Ones (2014) and James White (2015).

Additional information:

The Search Form


Camera Department Manager:
2006  BLACKland

Cinematography:
1998  Necropolis
2005  My Backyard Was A Mountain
2006  BLACKland
2007  Before Dawn
2009  The Mother

Director of Photography:
1998  Necropolis
2001  Chico
2005  Johanna
2005  My Backyard Was A Mountain
2006  BLACKland
2007  Before Dawn
2007  Goyta
2007  With a Little Patience
2008  Delta
2008  First Love
2009  Five Miles Out
2009  The Mother
2010  Tender Son: The Frankenstein Project
2010  The Gentleman Takes His Leave
2011  Miss Bala
2012  The Woman Who Brushed Off Her Tears
2014  Kenau
2014  The Quiet Ones
2015  James White
2015  Son of Saul
2018  Sunset
2020  The Nest
2023  Foe
2023  The Iron Claw
????  Orphan

Director of Photography:
2013  Southcliffe

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.