A work in constant progress (and occasional regress).
Alias:
Esther Renay "Ester" Dean
Esther Renay Dean
Έστερ Ντιν
Birthplace:
Muskogee, Oklahoma, USA
Born:
April 15, 1982
Born in Muskogee, Oklahoma, but raised in Tulsa, Oklahoma, Ester Dean was the youngest of five children raised by her single mother Hester, in a low-income household. At a young age Dean learned how to channel her pain into her music, writing and channeling her emotions into songs. Creative writing served as Dean’s self-therapy, helping her cope with a hard life of poverty and bullying (inside and outside her home). Dean took to writing and singing as an escape from her small Oklahoma town with no glimpses of a positive future. At the age of 15, Dean and her sister Deandria moved to Omaha, Nebraska; leaving her older siblings in Tulsa. The separation made Dean dig deeper for a connection, finding solace in music and the local music scene. Singing in every studio, writing for local rappers and producers, Dean unknowingly grass-rooted herself. Learning the ins and outs of her talent and creativity, at 20 years old Dean made a bold move and left Omaha with only $500 in her pocket. She drove 18 hours, alone, to Atlanta, Georgia with dreams of breaking into the music industry. She sang for anyone who would listen. While at a Gap Band concert, music producer Tricky Stewart overheard Dean singing in the crowd along with the band. He immediately asked her to set up a meeting. While going through her catalog of songs, Tricky was impressed by not only her voice but also her songwriting ability. He signed her to a small publishing deal that allowed Dean to grow and connect with other known writers and producers. This opportunity provided Dean with the tools, tricks, and skills to writing potential Top 40 songs. Although her time with Tricky was a significant point in her career, Dean eventually parted ways and relocated to Los Angeles, California. Upon relocating to Los Angeles, Dean began to build a name in the songwriting world. She was eventually introduced to Polow da Don, and later signed to Zone 4 Records/Interscope Records. In 2009 Dean released her first single, "Drop It Low", which peaked at number 38 on the US Billboard Hot 100, becoming her first US Top 40 single. Dean's big break came when she collaborated with super producers Stargate, creating her first number one single, Rihanna’s "Rude Boy". She went on to write "What's My Name", "Where Have You Been" and several other Rihanna hits, as well as Katy Perry's "Firework" and Nicki Minaj’s "Super Bass". She would go on to be named ‘The Song Machine’ in John Seabrook's The New Yorker article. Outside of music, Dean has been able to establish herself as a voice-over talent. She landed roles in Ice Age: Continental Drift (2012) and Rio (2011). After making a great impression in the voice-over world, Dean was asked to audition for a small part in an upcoming movie about a girl A cappella group. She jumped at the chance to audition and landed the role of Cynthia Rose in the hit movie Pitch Perfect (2012), which also lead to her co-starring in Pitch Perfect 2 (2015).
Songs:
2011 Rio
2015 Pitch Perfect 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.