A work in constant progress (and occasional regress).
Birthplace:
Pennsylvania, USA
Born:
July 27, 1955
Dan Sallitt is an American critic, screenwriter and film director known for his microbudget filmmaking and "cinephile" film criticism. Born on 27 July 1955 in Pennsylvania, Sallitt moved to Los Angeles in 1976 where he became first-string film critic of the Los Angeles Reader from 1983 to 1985. He has written film criticism for many outlets, including Slate, the Chicago Reader, MUBI.com, Masters of Cinema, and the Toronto Film Festival. He maintains the film blog Thanks for the Use of the Hall.
Creative Consultant:
2013 Ghost Phone
Director:
1986 Polly Perverse Strikes Again!
1998 Honeymoon
2004 All the Ships at Sea
2012 The Unspeakable Act
2013 Ghost Phone
2019 Caterina
2019 Fourteen
Editor:
1986 Polly Perverse Strikes Again!
1998 Honeymoon
2004 All the Ships at Sea
2012 The Unspeakable Act
2013 Ghost Phone
2019 Caterina
2019 Fourteen
Screenplay:
1986 Polly Perverse Strikes Again!
1998 Honeymoon
2004 All the Ships at Sea
2012 The Unspeakable Act
2013 Ghost Phone
2019 Caterina
2019 Fourteen
2021 The Hardest Working Cat in Showbiz
Thanks:
1986 Polly Perverse Strikes Again!
1998 Honeymoon
2004 All the Ships at Sea
2012 The Unspeakable Act
2013 Ghost Phone
2019 Caterina
2019 Fourteen
2021 The Hardest Working Cat in Showbiz
2024 This Closeness
Writer:
1986 Polly Perverse Strikes Again!
1998 Honeymoon
2004 All the Ships at Sea
2012 The Unspeakable Act
2013 Ghost Phone
2019 Caterina
2019 Fourteen
2021 The Hardest Working Cat in Showbiz
2024 This Closeness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.