A work in constant progress (and occasional regress).
Born:
April 7, 1942
British film and television director. Her directing credits range from Hill Street Blues to Star Trek: The Next Generation. She became the first woman to direct an episode of Star Trek, with the episode "Booby Trap". She is best known for directing, writing and producing the TV special Diana: A Tribute to the People's Princess. She and writer/actor Olaf Pooley both contributed to a film version of Bernard Taylor's The Godsend. Pooley wrote the screenplay for the film while Beaumont directed it.
Director:
1980 The Godsend
1981 Death of a Centerfold: The Dorothy Stratten Story
1983 Secrets of a Mother and Daughter
1984 Gone Are the Dayes
1984 The Corvini Inheritance
1987 He's My Girl
1988 Tattle: When To Tell On A Friend
1989 Carmilla
1990 One Last Chance
1991 Fatal Inheritance
1993 Riders
1994 Moment of Truth: Cradle of Conspiracy
1995 The Other Woman
1996 Beastmaster III: The Eye of Braxus
1998 Diana: A Tribute to the People's Princess
Producer:
1971 Crucible of Horror
1980 The Godsend
1981 Death of a Centerfold: The Dorothy Stratten Story
1983 Secrets of a Mother and Daughter
1984 Gone Are the Dayes
1984 The Corvini Inheritance
1987 He's My Girl
1988 Tattle: When To Tell On A Friend
1989 Carmilla
1990 One Last Chance
1991 Fatal Inheritance
1993 Riders
1994 Moment of Truth: Cradle of Conspiracy
1995 The Other Woman
1996 Beastmaster III: The Eye of Braxus
1998 Diana: A Tribute to the People's Princess
Writer:
1971 Crucible of Horror
1980 The Godsend
1981 Death of a Centerfold: The Dorothy Stratten Story
1983 Secrets of a Mother and Daughter
1984 Gone Are the Dayes
1984 The Corvini Inheritance
1987 He's My Girl
1988 Tattle: When To Tell On A Friend
1989 Carmilla
1990 One Last Chance
1991 Fatal Inheritance
1993 Riders
1994 Moment of Truth: Cradle of Conspiracy
1995 The Other Woman
1996 Beastmaster III: The Eye of Braxus
1998 Diana: A Tribute to the People's Princess
Director:
1972 ABC Afterschool Special
1972 M*A*S*H
1972 The Waltons
1973 The Tomorrow People
1978 Vega$
1979 Archie Bunker's Place
1979 Hart to Hart
1979 Knots Landing
1980 Secrets of Midland Heights
1981 Dynasty
1981 Flamingo Road
1981 Hill Street Blues
1981 Private Benjamin
1981 The Greatest American Hero
1982 Cagney & Lacey
1982 Hotel
1982 Remington Steele
1983 Trauma Center
1983 Zorro and Son
1984 Glitter
1984 Hammer House of Mystery and Suspense
1984 Miami Vice
1985 The Colbys
1986 L.A. Law
1987 A Year in the Life
1987 Beauty and the Beast
1987 Beverly Hills Buntz
1987 Duet
1987 Star Trek: The Next Generation
1989 A Fine Romance
1989 Doogie Howser, M.D.
1989 Studio 5-B
1989 The Paradise Club
1990 Beverly Hills, 90210
1990 Law & Order
1992 Melrose Place
1993 Dr. Quinn, Medicine Woman
1993 Star Trek: Deep Space Nine
1993 seaQuest DSV
1994 Touched by an Angel
1995 Star Trek: Voyager
1996 7th Heaven
1996 The Pretender
1997 Pacific Palisades
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.