A work in constant progress (and occasional regress).
Birthplace:
Richmond Hill, Queens, New York
Born:
November 13, 1939
Danny Fields (born Daniel Feinberg; November 13, 1939) is an American music manager, publicist, journalist, and author. As a music industry executive from the 1960s to the 1980s, he was one of the most influential figures in the history of punk rock. He signed and managed Iggy and the Stooges, signed the MC5 and managed the Ramones, and worked in various roles with Jim Morrison, the Velvet Underground and the Modern Lovers. In 2014 The New York Times said, "You could make a convincing case that without Danny Fields, punk rock would not have happened." Interviews with Fields are included in the documentaries Nico: Icon (1995), We're Outta Here! (1997), 25 Years of Punk (2001), MC5: A True Testimonial (2002), End of the Century: The Story of the Ramones (2003), and A Walk Into the Sea: Danny Williams and the Warhol Factory (2007), It's Alive 1974–1996 (2007), and Lords of the Revolution: Andy Warhol (2009). He is also one of the central characters of Edie: American Girl by Jean Stein and Please Kill Me|Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain; the dedication of the latter book reads, "For his gorgeous taste in music, his generous intellect, and his killer sense of humor, this book is dedicated to Danny Fields, forever the coolest guy in the room." The 2006 book The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk (A Cappella Books/Chicago Review Press), by Steven Lee Beeber, includes a chapter about Fields, entitled, "A Nice Jewish Boy." Danny Says, a feature-length documentary chronicling Fields' life, premiered at South by Southwest in 2015. From Wikipedia.
Creator:
2002 Don't Stop Movin'
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.