A work in constant progress (and occasional regress).
Alias:
María Luisa Bemberg
Birthplace:
Buenos Aires, Argentina
Born:
April 14, 1922
Died:
May 7, 1995
María Luisa Bemberg (April 14, 1922 – May 7, 1995) was an Argentine film writer, director and actress. She was one of the first Argentine female directors with a powerful presence both in the filmmaking and the intellectual world of Latin America, particularly during her most active period, from 1970 to 1990. In her work, she specialized in portraying famous Argentinian women and exploring issues of class and gender. Bemberg rejected being labelled a feminist, stating it was a bourgeois ideology. Her vast legacy extends to the 21st Century, with Bemberg being hailed as arguably Argentina’s foremost female director.
Director:
1972 El mundo de la mujer
1978 Toys
1981 Momentos
1982 Nobody's Wife
1984 Camila
1986 Miss Mary
1990 I, the Worst of All
1993 I Don't Want to Talk About It
Screenplay:
1972 El mundo de la mujer
1978 Toys
1981 Momentos
1982 Nobody's Wife
1984 Camila
1986 Miss Mary
1990 I, the Worst of All
1993 I Don't Want to Talk About It
Thanks:
1972 El mundo de la mujer
1978 Toys
1981 Momentos
1982 Nobody's Wife
1984 Camila
1986 Miss Mary
1990 I, the Worst of All
1993 Historias Breves 0: Vértigos, o contemplación de algo que cae
1993 I Don't Want to Talk About It
2024 Alemania
Writer:
1971 Crónica de una señora
1972 El mundo de la mujer
1975 Triangle of Four
1978 Toys
1981 Momentos
1982 Nobody's Wife
1984 Camila
1986 Miss Mary
1990 I, the Worst of All
1993 Historias Breves 0: Vértigos, o contemplación de algo que cae
1993 I Don't Want to Talk About It
1997 The Impostor
2024 Alemania
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.