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Nicolas Rey (b. 1968)

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Born:
January 1, 1968

Biography from TheMovieDB

French filmmaker Nicolas Rey has directed a series of remarkable fictional documentaries, intricate feature-length (and sometimes longer) essay films that meld historical fact with fantasy and autobiography while implementing modernist literary strategies to unravel heady and playful ruminations on ideological and cinematographic technologies. Equally philosophical and structuralist-materialist, Rey's cinema uses lyrical, ludic and topographical forms of narrative to question the definition and limits of the State and cinematic illusionism. Rey's filmmaking is deeply informed by his active role as a member of the artist-run not-for-profit film laboratory, L'Abominable, one of the last bastions of photochemical artisanship in Western Europe. Employing exquisite hand-processing techniques, Rey uses photochemical grain and stain to give emotional texture and nuance to his painterly imagery which discovers moments of sublimity within seemingly quotidian scenes. — Haden Guest

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Additional information:

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Film Performances

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Film Production

Cinematography:
2014  Burn the Sea

Director:
1996  Terminus for you
1999  Opera mundi ou le temps des survêtements
2001  Soviets Plus Electricity
2005  Schuss!
2012  Differently, Molussia
2014  Burn the Sea

Writer:
1996  Terminus for you
1999  Opera mundi ou le temps des survêtements
2001  Soviets Plus Electricity
2005  Schuss!
2012  Differently, Molussia
2014  Burn the Sea
2015  Un début prometteur

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TV Production

Director:
2019  Nivis: Amigos de otro mundo

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.