A work in constant progress (and occasional regress).
Birthplace:
Portsmouth, Hampshire, England, UK
Born:
May 23, 1952
Dillie Keane studied music at Trinity College, Dublin, and acting at LAMDA. A burgeoning acting career was hijacked by the success of Fascinating Aïda, which started in 1983 with Marilyn Cutts and Lizzie Richardson. When Adèle Anderson joined in 1984, she found her great writing partner. When Fascinating Aïda hung up their sequins, ostensibly forever, in 1989, Dillie returned to solo performing in Single Again (1991 - nominated for a Perrier Award) and Citizen Keane (1992), both directed by Nica Burns. Her most recent one woman show, Back With You toured the UK, played Pizza on the Park and the Edinburgh Festival, a West End season at the Arts Theatre and also played at Berlin’s premier cabaret venue, the Bar Jeder Vernunft. Acting parts include The Plough and the Stars (West Yorkshire Playhouse); Juno and the Paycock (Leicester Haymarket); Present Laughter (Birmingham Rep); the Dublin premiere of The Vagina Monologues and Charley’s Aunt with Eric Sykes. Recent songwriting credits include Big Night Out at the Little Palace Theatre by Sandi Toksvig, in which she starred in at the Palace Theatre, Watford alongside Sandi and Liza Pulman. Television work includes Pie in the Sky and The Truth About Women. Dillie has also had a column in The Stage for over ten years and has written extensively for newspapers and radio. She had her own page in the prestigious MAIL ON SUNDAY for over two years, and has appeared regularly in the Sony Award nominated show Booked!
Writer:
2017 Hello Dillie!
2024 FASCINATING AÏDA: The 40th Anniversary Show!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.