A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
January 1, 1939
Pat O'Neill is an American independent experimental filmmaker and artist who has also worked in the special effects industry. Although his work embraces an extremely wide technical and aesthetic scope, he is perhaps best known for his startling, surrealistic, and humorous film compositions achieved through a mastery of the optical printer. His films and other artworks often reveal a complex and mysterious interest in the connections and clashes between the natural world and human civilization. O'Neill has also produced a prodigious body of work in drawing, collage, sculpture, installation, and many other media.
Additional Photography:
1965 Seven Second Love Affair
Director:
1963 By the Sea
1964 Bump City
1965 Seven Second Love Affair
1967 7362
1968 Coming Down
1968 Sears Sox
1969 Screen
1971 Runs Good
1972 Easyout
1972 The Last of the Persimmons
1973 Down Wind
1974 Saugus Series
1976 Sidewinders Delta
1978 Foregrounds
1978 Let's Make a Sandwich
1978 Sleeping Dogs (Never Lie)
1979 Two Sweeps
1989 Water and Power
1996 Trouble in the Image
1998 Coreopsis
1998 Squirtgun / Step Print
2002 The Decay of Fiction
2008 Horizontal Boundaries
2009 I Open the Window
2009 I Put Out My Hands
2009 Starting to Go Bad
2011 Painter and Ball 4-14
2012 Ojo Caliente
2015 Where the Chocolate Mountains
2019 "An Extra Wander: For Chick..."
2020 Messages
2021 Messages 2
2021 Messages 3
2021 Messages 4
2021 Messages 5
2024 Preen Scene
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.