A work in constant progress (and occasional regress).
Alias:
Pierfrancesco Bargellini
Birthplace:
Arezzo, Tuscany, Italy
Born:
January 5, 1940
Died:
July 10, 1982
Pierfrancesco Bargellini (Arezzo, 1940-1982), also known as Piero, bought his first movie camera when he was 20 and pointed it at his youthful passions: competition cars and motorcycles. A few years later he met Marco Melani, who became his cinema companion and an actor in his films. He started to make a name for himself in the world of amateur filmmakers and won a prize at the festival of Montecatini. One of the members of the jury was Massimo Bagicalupo, a founder of the Cooperativa cinema indipendente, and he invited Bargellini to enter the brand-new world of Italian underground cinema. While working as an agronomist at the Val di Chiana Irrigation Office he continued to make films in his free time, but shortly afterwards, with the notice and support of the magazines “Cinema & Film” and the group “Filmstudio 70,” he left his job and moved to Rome. Here, during the early 1970s he worked occasionally for RAI and carried on his activity as an independent director in the world of underground cinema. During this period he suffered a series of misadventures with the law and ended up fleeing to Turkey with his wife Oriana and their daughter Rebecca in 1975. After returning to Italy he continued experimenting, jotting down his discoveries in a series of notebooks and fruitlessly trying to find financing for various projects for experimental programs for Rai. Bertolucci and Storaro consulted with him during preparation for La Luna (1981) to try to resolve problems with various special effects. But Bargellini progressively lost contact with the world of cinema and shortly thereafter his troubles with the law began. He was found dead, officially because of an overdose, at dawn on July 10, 1982.
Director:
1965 Anno 2000
1965 Club 3P Battifolle [Un'inchiesta di Pierfrancesco Bargellini]
1965 Il teschio
1965 L'incompiuta
1965 The Dream Fair [Frescoes of Naked Women]
1966 Dell'Acqua
1966 La striscia
1966 Vi prego di accettare questo semplice bouquet di parentesi appena sbocciate
1967 Questo film è dedicato a David Riesman e si intitolerà «Capolavoro»
1968 360° di Cinediario
1968 Baraccone
1968 Fractions of Temporary Periods (I parte) ovvero Plans-séquences per una bambina
1968 Macrozoom
1968 Morte all'orecchio di Van Gogh
1968 Saluto
1968 Tempo-Tempio-Ritratto
1968 Water-Closet aka Waiting for a Defecation
1969 Abbandonate ogni illusione, preparatevi alla lotta primavera
1969 Fractions of Temporary Periods
1969 Fractions of Temporary Periods (II parte): Due ore pomeridiane delle bambina
1969 Nelda
1969 Transfer of Modulation
1969 Un ottofilm di Pierfrancesco Bargellini
1970 Bacino Casa del lupo o di Tonino Massimo e Piero
1970 Erinnerung An Die Zukunft
1970 Gasoline
1970 Relazione filmata
1970 Zukie
1971 Due silenzi e un'armonica
1971 Oracolo
1973 Stricnina
1974 Dove incominciano le gambe
Special Effects:
1965 Anno 2000
1965 Club 3P Battifolle [Un'inchiesta di Pierfrancesco Bargellini]
1965 Il teschio
1965 L'incompiuta
1965 The Dream Fair [Frescoes of Naked Women]
1966 Dell'Acqua
1966 La striscia
1966 Vi prego di accettare questo semplice bouquet di parentesi appena sbocciate
1967 Questo film è dedicato a David Riesman e si intitolerà «Capolavoro»
1968 360° di Cinediario
1968 Baraccone
1968 Fractions of Temporary Periods (I parte) ovvero Plans-séquences per una bambina
1968 Macrozoom
1968 Morte all'orecchio di Van Gogh
1968 Saluto
1968 Tempo-Tempio-Ritratto
1968 Water-Closet aka Waiting for a Defecation
1969 Abbandonate ogni illusione, preparatevi alla lotta primavera
1969 Fractions of Temporary Periods
1969 Fractions of Temporary Periods (II parte): Due ore pomeridiane delle bambina
1969 Nelda
1969 Transfer of Modulation
1969 Un ottofilm di Pierfrancesco Bargellini
1970 Bacino Casa del lupo o di Tonino Massimo e Piero
1970 Erinnerung An Die Zukunft
1970 Gasoline
1970 Relazione filmata
1970 Zukie
1971 Due silenzi e un'armonica
1971 Oracolo
1973 Stricnina
1974 Dove incominciano le gambe
1979 Luna
Writer:
1965 Anno 2000
1965 Club 3P Battifolle [Un'inchiesta di Pierfrancesco Bargellini]
1965 Il teschio
1965 L'incompiuta
1965 The Dream Fair [Frescoes of Naked Women]
1966 Dell'Acqua
1966 La striscia
1966 Vi prego di accettare questo semplice bouquet di parentesi appena sbocciate
1967 Questo film è dedicato a David Riesman e si intitolerà «Capolavoro»
1968 360° di Cinediario
1968 Baraccone
1968 Fractions of Temporary Periods (I parte) ovvero Plans-séquences per una bambina
1968 Macrozoom
1968 Morte all'orecchio di Van Gogh
1968 Saluto
1968 Tempo-Tempio-Ritratto
1968 Water-Closet aka Waiting for a Defecation
1969 Abbandonate ogni illusione, preparatevi alla lotta primavera
1969 Fractions of Temporary Periods
1969 Fractions of Temporary Periods (II parte): Due ore pomeridiane delle bambina
1969 Nelda
1969 Transfer of Modulation
1969 Un ottofilm di Pierfrancesco Bargellini
1970 Bacino Casa del lupo o di Tonino Massimo e Piero
1970 Erinnerung An Die Zukunft
1970 Gasoline
1970 Relazione filmata
1970 Zukie
1971 Due silenzi e un'armonica
1971 Oracolo
1973 Stricnina
1974 Dove incominciano le gambe
1979 Luna
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.