A work in constant progress (and occasional regress).
Alias:
Pedro Ernesto Plascencia Salinas
Pedro Placencia Salinas
Pedro Plascencia S.
Pedro Plascencia Salinas
Birthplace:
Guadalajara, Jalisco, Mexico
Born:
November 7, 1956
Died:
April 19, 1994
Pedro Ernesto Plascencia Salinas (Guadalajara, Jalisco, November 7, 1956 - Mexico City, April 19, 1994), was a Mexican pianist and composer. He composed incidental music for the telenovelas of the producer Carlos Téllez, such as El extraño retorno de Diana Salazar, Cuna de lobos, In the flesh, as well as the music of the 24-hour news program and the missing ECO Noticias system, which also created the program's theme The Comedians of the year 1988. His incidental music was also that of the telenovela Poor Relatives. He also composed the music of the Mexican films, you can, Pedro Galindo III, Skateboard Squad (1991) and El Bulto, as well as the anthem of the Mexican soccer team Necaxa, as well as the theme of the start of the AAA wrestling since 1997 to 1998. From Wikipedia (es), the free encyclopedia
Music:
1985 Mexicano ¡Tú puedes!
1987 Living Is What Matters
1988 All Souls' Day
1989 Don't Panic
1989 El Pájaro con Suelas
1989 Hell's Trap
1989 Panic in the Mountain
1990 Dos Penitentes Pero no Tanto
1991 Vacation of Terror II: Diabolical Birthday
1992 Gata por liebre
Original Music Composer:
1975 Albures Mexicanos
1985 Mexicano ¡Tú puedes!
1987 Living Is What Matters
1988 All Souls' Day
1989 Don't Panic
1989 El Pájaro con Suelas
1989 El mil hijos
1989 Hell's Trap
1989 Las borrachas
1989 Panic in the Mountain
1989 Servant's Day
1990 Dos Penitentes Pero no Tanto
1991 Vacation of Terror II: Diabolical Birthday
1992 Gata por liebre
Music:
1993 Los Parientes Pobres
Original Music Composer:
1986 Den of Wolves
1988 El extraño retorno de Diana Salazar
1993 Los Parientes Pobres
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.