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Mark Putnam

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Alias:
Mark Allan Putnam
Mark Allen Putnam

Additional information:

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Film Performances

Click the heading above to show or hide the list.

Film Production

Camera Operator:
2002  Revisiting 'The Last Waltz'

Cinematography:
2000  The Perfect Souffle: Testing "Final Destination"
2002  Afganistan: Land in Crisis
2002  Revisiting 'The Last Waltz'

Director of Photography:
1997  I Love You, Don't Touch Me!
1998  The Truth About Juliet
1999  Valerie Flake
2000  The Pavilion
2000  The Perfect Souffle: Testing "Final Destination"
2001  The Confidence Man
2001  The Fluffer
2002  Afganistan: Land in Crisis
2002  Drawing Blood
2002  Mysteries of Love
2002  Revisiting 'The Last Waltz'
2002  Tales from the Mist: Inside 'The Fog'
2003  I Love Your Work
2004  Chainsaw Redux: Making a Massacre
2004  People Like Us: Making 'Philadelphia'
2004  Sweets to the Sweet: The 'Candyman' Mythos
2006  Pas de Deux: Making 'White Nights'
2008  Pedro
2011  2nd Take
2012  Extracted
2012  Hit So Hard
2014  Making the Rules
2014  The Scribbler
2015  No Way Jose
2016  Pandemic
2019  Loved To Death

Electrician:
1993  Jailbait
1997  I Love You, Don't Touch Me!
1998  The Truth About Juliet
1999  Valerie Flake
2000  The Pavilion
2000  The Perfect Souffle: Testing "Final Destination"
2001  The Confidence Man
2001  The Fluffer
2002  Afganistan: Land in Crisis
2002  Drawing Blood
2002  Mysteries of Love
2002  Revisiting 'The Last Waltz'
2002  Tales from the Mist: Inside 'The Fog'
2003  I Love Your Work
2004  Chainsaw Redux: Making a Massacre
2004  People Like Us: Making 'Philadelphia'
2004  Sweets to the Sweet: The 'Candyman' Mythos
2006  Pas de Deux: Making 'White Nights'
2008  Pedro
2011  2nd Take
2012  Extracted
2012  Hit So Hard
2014  Making the Rules
2014  The Scribbler
2015  No Way Jose
2016  Pandemic
2019  Loved To Death

Click the heading above to show or hide the list.

TV Production

Director of Photography:
1994  Compromising Situations

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.