Shan Serafin (b. 1982)

Gallery Unavailable

Birthplace:
Cincinnati, Ohio, USA

Born:
November 18, 1982

Shan Serafin is an American director, screenwriter and novelist, known for intense supernatural thrillers, action stories and crime stories, and known for dramatic productions on stage. His films and novels often tackle notions of perspective, reality, and self-worth, and frequently depict strong female characters in violent predicaments.  As a novelist, Serafin has continually collaborated with best-seller James Patterson, with whom he's co-authored The Women's War (2016), an action thriller about three female special ops; Come And Get Us (2017), a thriller about a young mother stranded in the desert; and Revenge (2017), a thriller about a hit man avenging his wife. His first solo novel, Seventeen (2004), is the story of a seventeen-year old adolescent who gives herself seven days to live. His second solo-effort is Conquest (2017), a fiction narrative of the toils of modern dating.  Serafin grew up in California as the son of two school teachers. After graduating UCLA, where he studied stage performance and filmmaking, he joined the Aresis Ensemble in Santa Monica, where he engaged in productions of French and other European works. At this time, he also began teaching high-school math in South Central Los Angeles and helped form a teenage theater troupe, which would be his training ground for writing and directing and would involve notable young talents such as Martin Starr.  Serafin's directorial work in theater burgeoned with a stage play he also co-wrote entitled The Essential Bond, a biographical narrative about the true story of two-time Nobel Prize winner Linus Pauling. The Essential Bond starred John Astin and Matthew Ashford and ran for three months. Serafin went on to direct several stage productions in Los Angeles, including Adam Rapp's Red Light Winter, Patrick Marber's Closer, and Theresa Rebeck's Spike Heels.  Moving into screen work, Serafin's directorial career progressed with industrial videos and production of a six-part social documentary on teenage social issues called Youth in Action, which included one episode guest-starring personal friend Vinessa Shaw. His feature film work launched with The Forest (2011), which is a supernatural thriller shot on-location in the infamous Aokigahara Jukai suicide forest, starring Aidan Bristow and Michael Madsen. His second film, Misfire (2012), featuring Jaina Lee Ortiz, is a stylized action-thriller depicting rival female assassins converging on the same target. His third film, The Believer (2017), is a psychological thriller involving demonology within the context of domestic strife.  He was married to Beth Morrow from 2008 until they divorced amicably in 2013. He is a practicing Buddhist, belonging to the Soka Gakkai International organization of Nichiren Buddhism practitioners, wherein he had previously undertaken responsibility as a national youth leader and served for a term as the editor-in-chief of its national youth gazette Seize the Day.

Additional information:

The Search Form


Writer:
2011  The Forest

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.