A work in constant progress (and occasional regress).
Birthplace:
Badajoz, Spain
Lola Mayo is a screenwriter and film teacher. She finds it difficult to make a living from cinema; making a living in cinema is extremely easy. In the 90s she met Javier Rebollo and stopped writing stories and poems to write films for Lola Dueñas, Carmen Machi and José Sacristán: Lo que sé de Lola (2006), La mujer sin piano (2009) El muerto y ser feliz (2012). He was very happy showing those films at festivals around the world. Rebollo and Mayo have a small production company together with Damián París, Lolita Films, which was born just 25 years ago. Today, while he continues to write with directors like Pedro Aguilera and Manuel Martín Cuenca, he teaches film students almost every day. Libertad, igualdad, fraternidad is a project she undertakes alone.
Producer:
2013 The Dead Man and Being Happy
Screenplay:
2006 Lola
2006 Til Death
2013 The Dead Man and Being Happy
Script Consultant:
2006 Lola
2006 Til Death
2013 The Dead Man and Being Happy
2019 CrossFit: Beyond Fitness
Thanks:
2006 Lola
2006 Til Death
2013 The Dead Man and Being Happy
2019 CrossFit: Beyond Fitness
2022 Plastic Touch
Writer:
1997 En medio de ninguna parte
1998 ¡Hola, desconocido!
1999 The open luggage
2003 En camas separadas
2006 Lola
2006 Til Death
2009 Woman Without Piano
2013 The Dead Man and Being Happy
2019 CrossFit: Beyond Fitness
2022 Plastic Touch
2023 Andrea's Love
???? Día de caza
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.