Ulay (b. 1943)

Alias:
Frank Uwe Laysiepen

Birthplace:
Solingen, Germany

Born:
November 30, 1943

Ulay, born Frank Uwe Laysiepen, 1943 is a German artist, actor, and photographer, now based in Amsterdam, Holland, and Ljubljana, Slovenia. Ulay received international recognition for his work as a photographer, mainly in Polaroid, from the late 1960s, and later as a performance artist, including his collaborative performances with Marina Abramovic from 1976 to 1988.

Additional information:

The Search Form


Camera Operator:
1988  China Ring
1996  4 Performances by Marina Abramovic 1975-1976

Director:
1975  Freeing the Memory
1975  Freeing the Voice
1976  Freeing The Body
1976  There Is a Criminal Touch to Art
1977  Balance Proof
1977  Breathing in/breathing out
1977  Charged Space
1977  Expansion in Space
1977  Imponderabilia
1977  Light / Dark
1977  Light/Dark
1977  Relation in Movement
1977  Relation in Space
1977  Relation in Time
1978  Incision
1979  Kaiserschnitt
1980  Rest Energy
1983  City of Angels
1988  China Ring
1996  4 Performances by Marina Abramovic 1975-1976
1997  Talking about Similarity

In Memory Of:
1975  Freeing the Memory
1975  Freeing the Voice
1976  Freeing The Body
1976  There Is a Criminal Touch to Art
1977  Balance Proof
1977  Breathing in/breathing out
1977  Charged Space
1977  Expansion in Space
1977  Imponderabilia
1977  Light / Dark
1977  Light/Dark
1977  Relation in Movement
1977  Relation in Space
1977  Relation in Time
1978  Incision
1979  Kaiserschnitt
1980  Rest Energy
1983  City of Angels
1988  China Ring
1996  4 Performances by Marina Abramovic 1975-1976
1997  Talking about Similarity
2022  Marina Abramović & Ulay: No Predicted End

Story:
1975  Freeing the Memory
1975  Freeing the Voice
1976  Freeing The Body
1976  There Is a Criminal Touch to Art
1977  Balance Proof
1977  Breathing in/breathing out
1977  Charged Space
1977  Expansion in Space
1977  Imponderabilia
1977  Light / Dark
1977  Light/Dark
1977  Relation in Movement
1977  Relation in Space
1977  Relation in Time
1978  Incision
1979  Kaiserschnitt
1980  Rest Energy
1983  City of Angels
1988  China Ring
1996  4 Performances by Marina Abramovic 1975-1976
1997  Talking about Similarity
2017  How I Stole a Painting
2022  Marina Abramović & Ulay: No Predicted End

Thanks:
1975  Freeing the Memory
1975  Freeing the Voice
1976  Freeing The Body
1976  There Is a Criminal Touch to Art
1977  Balance Proof
1977  Breathing in/breathing out
1977  Charged Space
1977  Expansion in Space
1977  Imponderabilia
1977  Light / Dark
1977  Light/Dark
1977  Relation in Movement
1977  Relation in Space
1977  Relation in Time
1978  Incision
1979  Kaiserschnitt
1980  Rest Energy
1983  City of Angels
1988  China Ring
1996  4 Performances by Marina Abramovic 1975-1976
1997  Talking about Similarity
2017  How I Stole a Painting
2022  Marina Abramović & Ulay: No Predicted End

Writer:
1975  Freeing the Memory
1975  Freeing the Voice
1976  Freeing The Body
1976  There Is a Criminal Touch to Art
1977  Balance Proof
1977  Breathing in/breathing out
1977  Charged Space
1977  Expansion in Space
1977  Imponderabilia
1977  Light / Dark
1977  Light/Dark
1977  Relation in Movement
1977  Relation in Space
1977  Relation in Time
1978  Incision
1979  Kaiserschnitt
1980  Rest Energy
1983  City of Angels
1988  China Ring
1989  The Great Wall: Lovers at the Brink
1996  4 Performances by Marina Abramovic 1975-1976
1997  Talking about Similarity
2010  The Way Between Two Points
2017  How I Stole a Painting
2022  Marina Abramović & Ulay: No Predicted End

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.