A work in constant progress (and occasional regress).
Alias:
Frank Uwe Laysiepen
Birthplace:
Solingen, Germany
Born:
November 30, 1943
Ulay, born Frank Uwe Laysiepen, 1943 is a German artist, actor, and photographer, now based in Amsterdam, Holland, and Ljubljana, Slovenia. Ulay received international recognition for his work as a photographer, mainly in Polaroid, from the late 1960s, and later as a performance artist, including his collaborative performances with Marina Abramovic from 1976 to 1988.
Camera Operator:
1988 China Ring
1996 4 Performances by Marina Abramovic 1975-1976
Director:
1975 Freeing the Memory
1975 Freeing the Voice
1976 Freeing The Body
1976 There Is a Criminal Touch to Art
1977 Balance Proof
1977 Breathing in/breathing out
1977 Charged Space
1977 Expansion in Space
1977 Imponderabilia
1977 Light / Dark
1977 Light/Dark
1977 Relation in Movement
1977 Relation in Space
1977 Relation in Time
1978 Incision
1979 Kaiserschnitt
1980 Rest Energy
1983 City of Angels
1988 China Ring
1996 4 Performances by Marina Abramovic 1975-1976
1997 Talking about Similarity
In Memory Of:
1975 Freeing the Memory
1975 Freeing the Voice
1976 Freeing The Body
1976 There Is a Criminal Touch to Art
1977 Balance Proof
1977 Breathing in/breathing out
1977 Charged Space
1977 Expansion in Space
1977 Imponderabilia
1977 Light / Dark
1977 Light/Dark
1977 Relation in Movement
1977 Relation in Space
1977 Relation in Time
1978 Incision
1979 Kaiserschnitt
1980 Rest Energy
1983 City of Angels
1988 China Ring
1996 4 Performances by Marina Abramovic 1975-1976
1997 Talking about Similarity
2022 Marina Abramović & Ulay: No Predicted End
Story:
1975 Freeing the Memory
1975 Freeing the Voice
1976 Freeing The Body
1976 There Is a Criminal Touch to Art
1977 Balance Proof
1977 Breathing in/breathing out
1977 Charged Space
1977 Expansion in Space
1977 Imponderabilia
1977 Light / Dark
1977 Light/Dark
1977 Relation in Movement
1977 Relation in Space
1977 Relation in Time
1978 Incision
1979 Kaiserschnitt
1980 Rest Energy
1983 City of Angels
1988 China Ring
1996 4 Performances by Marina Abramovic 1975-1976
1997 Talking about Similarity
2017 How I Stole a Painting
2022 Marina Abramović & Ulay: No Predicted End
Thanks:
1975 Freeing the Memory
1975 Freeing the Voice
1976 Freeing The Body
1976 There Is a Criminal Touch to Art
1977 Balance Proof
1977 Breathing in/breathing out
1977 Charged Space
1977 Expansion in Space
1977 Imponderabilia
1977 Light / Dark
1977 Light/Dark
1977 Relation in Movement
1977 Relation in Space
1977 Relation in Time
1978 Incision
1979 Kaiserschnitt
1980 Rest Energy
1983 City of Angels
1988 China Ring
1996 4 Performances by Marina Abramovic 1975-1976
1997 Talking about Similarity
2017 How I Stole a Painting
2022 Marina Abramović & Ulay: No Predicted End
Writer:
1975 Freeing the Memory
1975 Freeing the Voice
1976 Freeing The Body
1976 There Is a Criminal Touch to Art
1977 Balance Proof
1977 Breathing in/breathing out
1977 Charged Space
1977 Expansion in Space
1977 Imponderabilia
1977 Light / Dark
1977 Light/Dark
1977 Relation in Movement
1977 Relation in Space
1977 Relation in Time
1978 Incision
1979 Kaiserschnitt
1980 Rest Energy
1983 City of Angels
1988 China Ring
1989 The Great Wall: Lovers at the Brink
1996 4 Performances by Marina Abramovic 1975-1976
1997 Talking about Similarity
2010 The Way Between Two Points
2017 How I Stole a Painting
2022 Marina Abramović & Ulay: No Predicted End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.