A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Born:
April 29, 1987
Noah Hutton got his start as a documentary filmmaker with the features Crude Independence (SXSW 2009) and Deep Time (SXSW 2015). In 2015, he created Brain City, a multi-platform installation in Times Square commissioned by the Times Square Arts Alliance. He has presented work at the Venice Biennale, Society for Neuroscience, Wellcome Collection, Rubin Museum of Art, and elsewhere. Noah graduated from Wesleyan University, where he studied art history and neuroscience, and received the Jacob Burns Film Center's 2015 New Lens Award.
Cinematography:
2020 In Silico
Director:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2020 In Silico
2021 Lapsis
???? More to Live For
Editor:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2019 Mack Wrestles
2020 In Silico
2021 Lapsis
???? More to Live For
Music:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2019 Mack Wrestles
2020 In Silico
2021 Lapsis
???? More to Live For
Original Music Composer:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2019 Mack Wrestles
2020 In Silico
2021 Lapsis
???? More to Live For
Screenplay:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2019 Mack Wrestles
2020 In Silico
2021 Lapsis
???? More to Live For
Writer:
2009 Crude Independence
2012 King for Two Days
2015 Deep Time
2017 Mosaic
2019 Mack Wrestles
2020 In Silico
2021 Lapsis
???? More to Live For
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.